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Now at the Met

The Kunstkammer Has Been Crowned

Sally Metzler, Guest Curator, Department of Drawings and Prints

Posted: Friday, January 30, 2015

In my December 30 post "Crown the Kunstkammer!" I challenged readers to suggest objects that would make worthy additions to the Kunstkammer, or chamber of wonders, in the exhibition Bartholomeus Spranger: Splendor and Eroticism in Imperial Prague. Cheers to all who participated! Holy Roman Emperor Rudolf II, Spranger's patron and the founder of the Prague Kunstkammer, would have found these additions tantalizing. I thank you for the stimulating ideas you contributed both in the comments on the post and on Facebook, and would like to highlight a few of my favorite submissions.

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Understanding and Sustaining Cultures: The Conservation of Nepalese Jewelry

Nina Pascucci, Former College Intern, Department of Objects Conservation

Posted: Friday, January 30, 2015

I've always been drawn to the role that art and artifacts play in shaping our collective history and culture. As a college intern in the Department of Objects Conservation here at the Met, I recently had the unique opportunity to spend some one-on-one time with beautiful jewelry from Nepal while assisting with the preparation for the exhibition Sacred Traditions of the Himalayas.

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Event Highlights: January 30–February 1

Posted: Thursday, January 29, 2015

The Museum offers hundreds of events and programs each month—including lectures, performances, tours, family activities, and more. The following listings are just a sample of our upcoming programs.

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Jewelry and Power: Notes from a Friday Focus Lecture

Helen D. Goldenberg, Associate for Administration, Department of Islamic Art

Posted: Wednesday, January 28, 2015

On Friday, January 9, the Department of Islamic Art, in conjunction with the Education Department, hosted guest lecturer Michael Spink to speak at a Friday Focus event. Spink's lecture, Jewelry and Power: Gold and Gems in Mughal India, illuminated the history of jewelry in the Mughal Empire and gave background information on the breathtaking gems that were displayed in the recently closed exhibition Treasures from India: Jewels from the Al-Thani Collection.

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The Jabach Portrait: The First Varnish

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, January 28, 2015

Michael Gallagher applies the first layer of varnish to the surface of the Jabach portrait.

After the completion of cleaning and structural work on the Jabach portrait, the next step in its conservation is the application of a first layer of varnish. The varnish acts as an isolating layer between the original painting and the retouching—which will come later—but, most importantly, it begins the process of saturating the surface, which is so crucial to a painting of this period.

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Creating Contrast through Elaborate Details: Technical Analysis and Conservation of an Avalokitesvara

Mandira Chhabra, Assistant Conservator, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai, India; Daniel Hausdorf, Associate Conservator, Department of Objects Conservation; and Pascale Patris, Conservator, Department of Objects Conservation

Posted: Friday, January 23, 2015

This beautiful image of the bodhisattva Avalokitesvara holds a lotus as his principal attribute (fig. 1). On view in the exhibition Sacred Traditions of the Himalayas, the gilded figure and its lotus-inspired pedestal are made of a single block of sandalwood, a wood species that holds spiritual meaning throughout Asia. The exceptional carving found here is a rare surviving example of a Nepalese tradition with a long history, one which ultimately can be traced back to India.

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The Jabach Portrait: Back on Its Feet

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Friday, January 23, 2015

Conservators Michael Gallagher, George Bisacca, Alan Miller, and Jonathan Graindorge Lamour reattach the Jabach portrait to its stretcher in preparation for the final phases of conservation.

Just before the holidays, we reached a major milestone in the conservation of the Jabach portrait: the reattachment of the canvas to its stretcher. The short video above gives a good sense of the process undertaken with George Bisacca, Alan Miller, and Jonathan Graindorge Lamour. In all, it took about a couple of hours.

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Rites of Passage in the Indian Jewelry Tradition

Courtney A. Stewart, Senior Research Assistant, Department of Islamic Art

Posted: Wednesday, January 21, 2015

In this painting, the Mughal Emperor Shah Jahan sits with his young son Dara Shikoh, holding a red gem in his right hand and a small tray of colored gems in his left. This intergenerational portrait illustrates the important Indian tradition of transferring gems among family members. Jewels are among the most important possessions in an estate and, when inherited, they are usually remounted or set by the recipient.

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Beneath the Surface: Technical Analysis of a Vajrabhairava Figurine

Mandira Chhabra, Assistant Conservator, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai, India; Daniel Hausdorf, Associate Conservator, Department of Objects Conservation; and Pascale Patris, Conservator, Department of Objects Conservation

Posted: Friday, January 16, 2015

A gift to the Museum in 1949, this image of Vajrabhairava was not placed on display for many years (fig. 1). In conjunction with the work's display in the Sacred Traditions of the Himalayas exhibition, however, the Departments of Objects Conservation and Scientific Research examined this figure in order to shed light on the materials and the production technique of this unusual representation.

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Taking Stock of the Department of Islamic Art's 2014 Acquisitions

Julia Cohen, Research Assistant, Department of Islamic Art

Posted: Thursday, January 15, 2015

One of my regular tasks as a research assistant is to enter information about new acquisitions into the collections management database of the Department of Islamic Art. Slower-paced than some of my other responsibilities, it gives me an opportunity to study the works that the department has obtained in the past year. And during the holidays, when our offices were a bit quieter, I had the chance to really take a look at our latest acquisitions.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.