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Now at the Met

A Rare Opportunity to See the Genius of Ancient Chinese Bronze Casters

Zhixin Jason Sun, Curator, Department of Asian Art

Posted: Tuesday, November 25, 2014

A cast-bronze buffalo from the Shanghai Museum is now on view in the exhibition Innovation and Spectacle: Chinese Ritual Bronzes (through March 8, 2015). This fantastic animal-shaped vessel once served as a wine warmer in sacrificial rituals in the Zhou dynasty (1046–256 b.c.).

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Event Highlights: November 24–26

Posted: Monday, November 24, 2014

The Museum offers hundreds of events and programs each month—including lectures, performances, tours, family activities, and more. The following listings are just a sample of our upcoming programs.

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The Jabach Portrait: A Change of Plan

Michael Gallagher, Sherman Fairchild Conservator in Charge, Department of Paintings Conservation

Posted: Wednesday, November 19, 2014

One thing you learn quickly in conservation is that the objects under your care make the rules! Frequently, well-thought-through plans or strategies for approaches to treatment have to be tweaked or completely rethought.

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The Arts of a Mesoamerican Metropolis, Here at the Met

James Doyle, Assistant Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Wednesday, November 19, 2014

Sergio Gomez and a team of investigators under the Feathered Serpent Pyramid at the site of Teotihuacan—one of the largest and most elaborate pyramids of the ancient world—are exploring a recently discovered man-made tunnel that passes under the east-west axis of the building, and have already uncovered rich dedicatory offerings using unmanned vehicles and controlled excavations (fig. 1). Teotihuacan is remarkable for the scale and elaboration of its architecture, the well-organized grid on which the city was planned, and an artistic tradition that included stone sculpture, mural painting, and pottery. The city's residents lived in complex apartment compounds from the late first millennium b.c. to the mid-seventh century a.d., suggesting a relatively stable social structure unlike that of other cities in the ancient New World. There were even neighborhoods of foreigners who continued their local traditions in distinct "barrios" of the city. A truly cosmopolitan place, Teotihuacan was the Manhattan of its time—a hub of activity and a destination for those from far away.

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Former Incarnations: The Secret Lives of Objects in Treasures from India

Courtney A. Stewart, Senior Research Assistant, Department of Islamic Art

Posted: Wednesday, November 19, 2014

Works of art at the Met are often presented in isolation to give the viewer an opportunity to examine them closely and appreciate their artistic merit, fine craftsmanship, use of materials, and other details. Because of these objects' (near) impeccable state when exhibited, I sometimes forget they have lived entire lives before arriving at the Museum and often have passed through many hands and traveled long distances. Indeed, the life of an object is so much richer, more complicated, and more convoluted than its shining presence in a display case can convey.

While researching the objects selected for the exhibition Treasures from India: Jewels from The Al-Thani Collection (on view through January 25, 2015), I was continually inspired by these histories and fascinated by the winding paths these works had taken before their arrival in our galleries.

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Celebrating #NetsukeNovember on Twitter

Anabelle Gambert-Jouan, Graduate Intern, Department of Asian Art

Posted: Monday, November 17, 2014

The Metropolitan Museum of Art boasts a collection of almost one thousand netsuke, with a particular emphasis on works from the eighteenth and nineteenth centuries. In addition to the selection currently displayed in the exhibition Kimono: A Modern History, on view September 27, 2014–January 19, 2015, daily netsuke posts can also be seen on the Museum's Twitter account throughout the month of November as part of the campaign #NetsukeNovember.

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Waves, Waterfalls, and Whirling Water on Japanese Kimono

Monika Bincsik, Andrew W. Mellon Fellow, Department of Asian Art

Posted: Wednesday, November 12, 2014

The way that kimonos are used and the types of designs to decorate them have shifted dramatically over the last 150 years, shaped by the dialogue of Japanese traditional craft art with modern inventions and Western ideas. As shown in a selection of objects currently found in the exhibition Kimono: A Modern History, on view through January 19, 2015, we can follow this narrative of cultural interaction by focusing on the depiction of water motifs used on kimono.

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Conservation Through a Gamer's Eye

Ashira Loike, Assistant Administrator, Department of Objects Conservation; and Beth Edelstein, Associate Conservator, Department of Objects Conservation

Posted: Monday, November 10, 2014

What happens when gaming students are let loose on the Met's collection? We found our answer to this question this past spring when staff from the Sherman Fairchild Center for Objects Conservation collaborated with a group of intrepid and creative students at the Rochester Institute of Technology (RIT). The students were supervised by their professor, Elizabeth Goins, in a course titled "Interactive Design for Museums," part of RIT's Museum Games & Technology Initiative. The students were tasked with communicating the inside information conservators gather from studying the materials and techniques of works of art through a fun and engaging game aimed at general audiences.

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A First Look at Arms and Armor: Notable Acquisitions 2003–2014

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Monday, November 10, 2014

In the exhibition Arms and Armor: Notable Acquisitions, 2003–2014, on view from November 11, 2014, through December 6, 2015, the Department of Arms and Armor is reflecting on its recent growth and development. Between 2003 and 2014, about three hundred objects were added to the collection, many of which have been put on permanent display in the Arms and Armor galleries; the exhibition highlights about forty other acquisitions from this period that, for the most part, are unpublished and have never before been on display.

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Drawings and Prints: A Dialogue

Perrin Stein, Curator, Department of Drawings and Prints

Posted: Friday, November 7, 2014

Did you know that until 1992, Drawings and Prints were two separate departments within the Museum? Behind the scenes, there are many physical reminders of this earlier era, including separate storerooms, separate study rooms, and staff offices spread over two floors. However, both in the public galleries as well as conceptually, these two areas of the collection are now wholly integrated, allowing for a richer understanding of how works on paper were made and used.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.