The Costume Institute's collection of more than thirty-five thousand costumes and accessories represents five continents and seven centuries of fashionable dress, regional costumes, and accessories for men, women, and children, from the fifteenth century to the present.
Posted: Tuesday, July 7, 2015
Posted: Wednesday, June 3, 2015
In the eighteenth century, promenading among the shops along the rue St. Honoré became a fashionable leisure activity for men and women alike. This street was home to Paris's marchands merciers (known as "mercers" in English), a class of merchants who dealt in all manner of luxury goods, including textiles for furnishing and clothing. The mercers' exclusive right to finishing work—arranging for the addition of embroidery, buttons, braids, and sequins through a network of specialized workers—allowed their customers to choose the exact colors and patterns they wanted at the point of sale. The range of embroidery samples currently displayed in the exhibition Elaborate Embroidery: Fabrics for Menswear before 1815, on view through July 19, offers a small window into the level of decoration and customization possible for fashionable men of the late eighteenth and early nineteenth century.
Posted: Thursday, May 7, 2015
Best known for his compelling portraits of world leaders, Platon spent several months photographing couture garments from designers such as Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent, as well as traditional Chinese costume and decorative art objects. I spoke with him about the book, his work, and the importance of artists as cultural mediators.
Posted: Monday, February 9, 2015
The perfect Valentine's Day gift for the fashion lover, High Style is now back in print as a paperback, with an updated cover that features the stunning "Clover Leaf" gown by Charles James. This lavishly illustrated volume presents some two hundred examples drawn from more than twenty-four thousand garments, accessories, hats, and shoes in the Brooklyn Museum's collection (which was transferred to the Met in 2009). A wide-ranging book covering garments from the eighteenth through the twentieth century, High Style provides a perfect introduction to the history of fashion.
In honor of Valentine's Day, read further to learn more about seven romantically hued ensembles featured in this publication.
Posted: Friday, February 6, 2015
Andrew Bolton, curator in The Costume Institute, was chosen as the winner of the Vilcek Prize in Fashion for his curatorial work that elevates fashion as an art form. The prize is part of the 2015 Vilcek Prize and Creative Promise Prizes in the Arts, which are awarded in the field of fashion, and spotlight foreign-born artists with records of major achievement in their fields.
Posted: Tuesday, June 17, 2014
Sarah Scaturro and Glenn Petersen are conservators in The Costume Institute who not only contributed to the conservation of Charles James's works in Charles James: Beyond Fashion, on view through August 10, but also authored an essay for the catalogue which accompanies the exhibition. The book offers a comprehensive study of the life and work of legendary Anglo-American couturier Charles James (1906−1978) and highlights his virtuosity and inventiveness. This publication also includes early photographs and rarely seen archival items, such as muslin study pieces, dress forms, and sketches.
Posted: Tuesday, May 27, 2014
I recently sat down with Karin L. Willis, the photographer for the Charles James: Beyond Fashion catalogue that accompanies the current exhibition of James's work, on view through August 10. The publication offers a comprehensive study of the life and work of the legendary Anglo-American couturier Charles James (1906−1978), highlights his virtuosity and inventiveness, and includes early photographs and rarely seen archival items—including muslin study pieces, dress forms, and sketches. During our conversation Karin spoke about the challenging but rewarding process of photographing James's designs.
Posted: Thursday, May 8, 2014
The Costume Institute's 2014 exhibition, Charles James: Beyond Fashion, opens May 8 and offers a comprehensive study of the life and work of legendary Anglo-American couturier Charles James (1906−1978). In the accompanying exhibition catalogue, co-author Jan Glier Reeder—consulting curator in The Costume Institute for the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art—highlights James's virtuosity and inventiveness, as well as his influence on future generations of fashion designers. This publication also includes early photographs and rarely seen archival items, such as muslin study pieces, dress forms, and sketches.
Posted: Tuesday, May 6, 2014
Yesterday morning, First Lady Michelle Obama cut the ribbon to mark the official opening of The Costume Institute's new Anna Wintour Costume Center, which has just undergone a two-year renovation. The space will reopen to the public this Thursday, May 8, with the exhibition Charles James: Beyond Fashion.
Posted: Monday, January 14, 2013
When the Brooklyn Museum transferred its costume collection to the Metropolitan Museum's Costume Institute in January 2009, the Met acquired an impressive array of garments from renowned European and American designers. Some highlights from the collection were featured in the related 2010 exhibitions American Woman: Fashioning a National Identity at the Met and American High Style: Fashioning a National Collection at the Brooklyn Museum. Yet the collection also contains a set of objects with noteworthy local origins: garments and accessories made by Brooklyn-based clothing and accessory makers—milliners, tailors, and dressmakers—working independently or in department stores during the nineteenth and twentieth centuries.