The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world. Displayed in both the Main Building and in the Metropolitan's branch in northern Manhattan, The Cloisters museum and gardens, the collection encompasses the art of the Mediterranean and Europe from the fall of Rome in the fourth century to the beginning of the Renaissance in the early sixteenth century. It also includes pre-medieval European works of art created during the Bronze Age and early Iron Age.
Posted: Wednesday, September 30, 2015
One of the most striking aspects of the silk and metal-thread embroideries on view through November 1, 2015, in Liturgical Textiles of the Post-Byzantine World is how labor-intensive they are. One might wonder who devoted so much time and eyestrain to creating these pieces, and at whose behest? Although they form a minority within the body of surviving liturgical embroideries, pieces inscribed with the names of the donor or the embroiderer help scholars to answer these questions.
Posted: Monday, August 3, 2015
The exhibition Liturgical Textiles of the Post-Byzantine World, now on view through November 1, 2015, presents a selection of notable liturgical vestments that communicate the continuing prestige of the Orthodox Church and its clergy in the centuries following the fifteenth-century fall of Byzantine Constantinople to the Ottoman Turks. From a strictly theological viewpoint, vestments are hardly a necessity for Christian worship. Liturgical scholars are largely in agreement that for the first several centuries of Christianity's existence, its clergy officiated at services wearing the normal "street dress" of the Roman world. Only gradually did these items of clothing take on special significance as liturgical vestments, to be worn only during worship.
Posted: Thursday, June 12, 2014
The Metropolitan Museum recently swept the AICA-USA Arts Awards for Excellence in Curatorial Achievement in the time-based media category.
Posted: Thursday, March 13, 2014
Helen C. Evans, Mary and Michael Jaharis Curator of Byzantine Art, traveled to Tehran, Iran, on February 8, 2014, to accept the twenty-first annual World Book Award for her catalogue Byzantium and Islam: Age of Transition. The award was presented by the World Book Award Committee of the Islamic Republic of Iran's Ministry of Culture and Religious Guidance.
Posted: Monday, January 6, 2014
Today, January 6, marks the Feast of the Epiphany, also known as Three Kings Day. This festival is widely celebrated, especially in western Christianity, as the day that the three wise men offered frankincense, myrrh, and gold to the Christ Child following their long journey from the East. This year, Three Kings Day is especially auspicious for the Museum's collection because today we celebrate the exceptional reunification of the sculptures pictured above.
Posted: Friday, November 15, 2013
Washington Heights—the neighborhood in northern Manhattan that houses The Cloisters museum and gardens—is built upon a series of bluffs and cliffs. Concrete staircases and creaky subway elevators connect different sections of the neighborhood, and buildings stand tall on stilts driven deep into Manhattan schist. From a distance, blocks of apartment buildings appear like castellated European villages. However, despite its once-impenetrable terrain, or maybe because of it, Washington Heights is a place where some of the wildest and most romantic medieval-architecture fantasies in New York City have been realized for over 150 years.
Posted: Wednesday, October 9, 2013
Janet Cardiff's The Forty Part Motet, currently on view through December 8, boasts the distinction of being the first exhibition of contemporary art in the seventy-five-year history of The Cloisters museum and gardens. A sound installation consisting of forty speakers mounted on tall stands and arranged in a large oval, Cardiff's work seems to have found its ideal home in the Fuentidueña Chapel—dominated by the monumental twelfth-century apse brought to The Cloisters from the church of San Martín in Fuentidueña, Spain.
Posted: Wednesday, September 25, 2013
The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.
Posted: Thursday, September 5, 2013
Although theatrical plays had been presented at the original Cloisters museum at 699 Fort Washington Avenue until its closing in February 1936, it was not until the performance of The Miracle of Theophilus at The Cloisters' current home in January 1942 that a medieval drama was produced for the first time. Envisioned and organized by the curatorial staff, with a text translated from the original French into English by Curator James Rorimer—later director of The Metropolitan Museum of Art—and costumes designed by Associate Curator Margaret Freeman, the thirteenth-century play was enjoyed by a group of Museum members on the Feast of the Epiphany. Thus began a tradition of medieval theatrical performances at The Cloisters.
Posted: Friday, August 2, 2013
From 1951 to 1957, The Cloisters hosted annual festivals for children of Members. Each of the seven festivals—held in the courtyard and given vibrantly titled themes such as "Round Table Capers" (1954) and "When Knights were Bold" (1955)—was an extravagant affair organized by the staff of the Met's Junior Museum, the precursor to what is now the Education Department. Children enjoyed puppet shows, games, donkey rides, and even trained bears.