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Islamic Art

Damascus Room

The Museum's collection of Islamic art ranges in date from the seventh to the nineteenth century. Its nearly twelve thousand objects reflect the great diversity and range of the cultural traditions of Islam, with works from as far westward as Spain and Morocco and as far eastward as Central Asia and India. Comprising sacred and secular objects, the collection reveals the mutual influence of artistic practices such as calligraphy, and the exchange of motifs such as vegetal ornament (the arabesque) and geometric patterning in both realms.

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Asian-Pacific American Heritage Month at the Met

Donna Williams, Chief Audience Development Officer

Posted: Friday, May 23, 2014

May is Asian-Pacific American Heritage Month, a celebration of Asians and Pacific Islanders in the United States. This month affords us the opportunity to reflect on the various achievements and traditions of so many of our neighbors, friends, and family members. The Metropolitan's permanent collection and current exhibitions offer a calm and reflective setting for appreciating the art from this part of the world.

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Syrian Art at the Met

Thomas P. Campbell, Director and CEO

Posted: Wednesday, September 25, 2013

The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.

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Art of the Islamic World: A New Resource for Teachers

Claire Moore, Assistant Museum Educator

Posted: Friday, November 30, 2012

The importance of the Islamic world within current geopolitics and the global context in which we live makes the study of these regions essential in K–12 classrooms around the world.

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Displaying Islamic Art at the Metropolitan: A Retrospective Look

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art

Posted: Thursday, February 2, 2012

A Metropolitan Museum patron interested in Islamic art in the 1880s would have found little of relevance on display.1 By 1910, however, the situation was very much improved, and in the century since then, the Islamic art displays at the Museum have become the largest in the Western world. This essay briefly describes the evolution of the display of Islamic art at the Metropolitan Museum—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.

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Connecting with Islamic Art at the Metropolitan

Deniz Beyazit, Assistant Curator, Department of Islamic Art

Posted: Wednesday, January 4, 2012

Islamic art, architecture, and cultural traditions are closely related to other artistic movements around the world. In conjunction with the opening of the new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, which house works from the Met's Department of Islamic Art, I'd like to take this opportunity to highlight related objects from the Museum's other curatorial departments.

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New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia

Thomas P. Campbell, Director and CEO

Posted: Monday, October 24, 2011

Today is a landmark day for the Metropolitan Museum as we celebrate the new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, a spectacular achievement for the Museum and its Islamic Art Department.

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Featured Publication—Turkmen Jewelry: Silver Ornaments from the Marshall and Marilyn R. Wolf Collection
Interview with the Collectors

Nadja Hansen, Editorial Assistant, Editorial Department

Posted: Monday, October 17, 2011

One of several new Met books that will accompany the November 1 reopening of the Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, this month's featured publication will be the first English-language book devoted to the extraordinary silver jewelry of the nomadic Turkmen people of Central Asia.

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Building History: The Making of the Met's New Moroccan Court

Thomas P. Campbell, Director and CEO

Posted: Tuesday, March 22, 2011

In its earliest decades, the Met's mission was centered on the idea that exposure to great works of art could elevate both the public's aesthetic sensibilities and what America, as an emerging manufacturing power, actually produced. I cannot help but think about this 140-year-old sentiment today as I watch fourteen Moroccan craftsmen in our galleries building a courtyard to accompany the magnificent works of art in our Islamic collection. What an extraordinary challenge to create something both historic and new, steeped in the traditions of the past, but crafted in fresh and modern circumstances: the gentle arabesque of hand-carving shown under LED lights.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.