The collection of Asian art at the Metropolitan Museum—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and is the most comprehensive in the West. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.
Posted: Tuesday, January 5, 2016
Posted: Wednesday, December 23, 2015
Posted: Wednesday, December 2, 2015
The exhibition The Royal Hunt: Courtly Pursuits in Indian Art, on view through December 8, brings together Rajasthani and Mughal paintings from the collections of the Met's Department of Asian Art and Department of Islamic Art, as well as from private collections. These paintings, which depict the extravagance and pageantry of the hunting culture in the royal courts of India, are shown alongside a selection of Indian hunting weapons and accessories from the Department of Arms and Armor. Among the objects are painted matchlocks, an elephant goad, gunpowder flasks carved with fantastical creatures, weapons decorated with elephants and tigers, and other tools of the hunt.
Posted: Tuesday, November 24, 2015
As a recent graduate intern in the Department of Asian Art, I had the chance to observe the installation of the exhibition The Royal Hunt: Courtly Pursuits in Indian Art, on view through December 8, 2015. This was a rare opportunity for me to not only interact with a diverse set of experts across the Museum, all of whom worked collaboratively towards putting the exhibition together, but especially to examine up-close the objects on display.
Posted: Friday, November 6, 2015
The Metropolitan Museum's permanent collection is unusually rich in archaeological architectural effigies—often called models—from around the globe, including works from Middle Bronze Age Syria, Ancient Egypt, and Han Dynasty China. Now, joining these remarkable works under the Met's roof are the fifty Precolumbian models featured in the exhibition Design for Eternity: Architectural Models from the Ancient Americas, on view through September 18, 2016.
Posted: Friday, September 11, 2015
A new publication in the highly popular How to Read series, How to Read Chinese Ceramics, by Denise Patry Leidy, Brooke Russell Astor Curator of Chinese Art and an expert in the field, is perfect for students who want to learn more about this fascinating, centuries-old tradition and is just in time for the start of the school year. This book introduces readers to the principal types of Chinese ceramics and covers the progression and development of the medium, using examples from the Met's comprehensive collection.
Posted: Thursday, September 10, 2015
The Royal Hunt: Courtly Pursuits in Indian Art, on view through December 8, brings together vibrant Mughal and Rajasthani paintings that depict royalty, nobility, and courtiers engaged in the dynamic yet dangerous sport of hunting. In addition to artworks from the Departments of Asian Art and Islamic Art, a group of weapons and hunting accessories loaned by the Department of Arms and Armor are also on display, which provide not only a greater understanding of the royal hunt, but also a rare opportunity to see these objects in person.
Posted: Wednesday, July 22, 2015
Portraits can reveal so much about the character of the person depicted, beyond the obvious physical traits. What can you tell about the gentleman in this painting?
Posted: Tuesday, July 7, 2015
Posted: Friday, June 26, 2015
The Metropolitan Museum's collection of Chinese painting and calligraphy, one of the finest outside China in both quality and scope, is largely built upon the acquisition of a few private collections. The nearly three hundred works that entered the Museum from the collections of C. C. Wang (1907–2003), the Edward Elliot Family, and John M. Crawford, Jr. (1913–88) in the 1970s and 1980s include several of the most important extant Song (960–1279) and Yuan (1271–1368) pieces today. Spanning the period from the eleventh to the nineteenth century, these works form the core of the department's painting and calligraphy collection from dynastic China.