Now on view, to mark the department's centennial, Bashford Dean and the Creation of the Arms and Armor Department features some fifty rare objects, books, manuscripts, and period photographs, celebrating Dean's multifaceted career. The exhibition surveys his work as a zoologist, a professor at Columbia University, and Curator of Fishes at the American Museum of Natural History, and then concentrates on his groundbreaking work as the Metropolitan Museum's first curator of Arms and Armor. To further mark this one hundredth anniversary, the department's permanent galleries have been refurbished with the addition of ten new display cases and approximately sixty additional objects. Improved lighting has been introduced throughout the galleries and approximately one thousand gallery labels have been replaced.
Posted: Wednesday, July 23, 2014
The industrialization and mechanization of war in the early twentieth century—which meant an increased use of artillery, tanks, and machine guns, and the advent of trench warfare—resulted in an unprecedented number of killed and wounded soldiers right from the outset of World War I in 1914. The large number of head wounds suffered by combatants soon made it apparent that metal helmets, though long out of use, were absolutely necessary on the modern battlefield and that other forms of armor also should be explored. Shortly after the United States entered the war in 1917, the government turned to Dr. Bashford Dean, curator of arms and armor at the Metropolitan Museum, to address the situation.
Posted: Thursday, May 29, 2014
Posted: Tuesday, April 8, 2014
During scientific research trips to Japan in the 1890s, Bashford Dean (1867–1928), founding curator of the Department of Arms and Armor, immersed himself in the study of Japanese arms and armor. By about 1900 he had assembled a private collection of approximately 125 pieces. When Dean lent his collection to The Metropolitan Museum of Art in 1903, it was the most comprehensive of its kind in the United States.
Posted: Tuesday, March 4, 2014
Posted: Wednesday, September 25, 2013
The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.
Posted: Wednesday, January 16, 2013
On Friday, May 9, 1913, the ship La France steamed into New York Harbor carrying William Henry Riggs, a wealthy American and lifelong collector of arms and armor. Riggs was returning from France to his native city for the first time in over forty years in order to donate his impressive collection to The Metropolitan Museum of Art. Accompanying Riggs was Bashford Dean, curator of the Metropolitan Museum's recently established Department of Arms and Armor and a well-known collector in his own right. Dean had spent close to a decade trying to persuade Riggs to give his collection to the Museum. Now, as a result of Dean's efforts, the Museum's new Arms and Armor department was set to acquire one of the greatest collections of its day.
Posted: Wednesday, January 2, 2013
One hundred years ago, on October 28, 1912, the Trustees of The Metropolitan Museum of Art officially created the Department of Arms and Armor. From relatively modest beginnings, the department rapidly developed into one of the finest and most comprehensive collections of its type in the world.
Posted: Friday, November 18, 2011
Armor made from steel plates that covered almost the entire body was developed around the late fourteenth century in Northern Italy, and spread north of the Alps soon after. Most early examples were plain, but by the middle of the fifteenth century armorers began to emboss surfaces with ridges and grooves and add gilt copper-alloy applications, transferring current tastes in civilian fashion to create sumptuous garments of steel. The turn of the sixteenth century saw the first elements of armor embellished with etching, a technique that dominated the decor until the end of armor as an art form, in the middle of the seventeenth century.
Posted: Friday, January 29, 2010
As the educator responsible for the Sunday at the Met lecture series, I plan about twenty to twenty-five different events a year. The programs usually include one or two talks, and may also feature a film or a demonstration. They are often held in conjunction with a current exhibition, a special theme, or an interesting connection to the Museum's vast permanent collection. My job is much like that of a Broadway producer, director, travel agent, and stagehand all rolled into one. Even though it's a lot of work, I wouldn't trade it for anything! I'm lucky that there are many talented people throughout the Museum who help out.