Thomas P. Campbell is the director and CEO of The Metropolitan Museum of Art.
Posted: Thursday, August 7, 2014
82nd & Fifth web feature redefined the online museum experience: in two-minute episodes, one hundred Met curators talked about the work of art that changed the way they see the world—one curator, one work, two minutes at a time. That content is now available on an iPad app in twelve languages. You can download, favorite, and share episodes, and create your own collections.
Posted: Wednesday, June 11, 2014
The art at the Met reaches across the globe, so we wanted to start providing our collection information in some of the many languages represented by these cultures. Our new web feature
One Met. Many Worlds. brings you more than five hundred collection highlights in eleven languages: English, Arabic, Chinese, French, German, Italian, Japanese, Korean, Portuguese, Russian, and Spanish.
Posted: Monday, March 10, 2014
I am delighted to announce the launch of the Met's latest web series,
MetCollects. This multimedia feature gives you an intimate look at some of the hundreds of works of art that the Met acquires each year. These exciting new additions are introduced by the curators who proposed them for the Met's collection.
Posted: Thursday, February 27, 2014
I arrived in Davos this year ready to talk about the critical relevance of culture within the World Economic Forum's annual meetings. But one thing was lingering in my mind and became a critical part of my discussions there. Last November Bill Gates did an interview with the
Financial Times newspaper. In it, he said that it was morally questionable to give money to an art museum when there are still diseases that cause blindness in the world. While I greatly admire Mr. Gates's work as a significant philanthropic catalyst, this particular perspective seems limited and counter to the very priorities that he champions in his charitable work.
Posted: Friday, October 4, 2013
We just posted my episode, entitled
, as part of 82nd & Fifth, the award-winning web series that has introduced our audience and our curators to a whole new way of looking at works of art: one object, one curator, two minutes at a time. I chose one of my favorite masterpieces—a Bernard van Orley tapestry of Breakthrough The Last Supper from 1524—and was amazed by the stunning details that Met photographer Peter Zeray was able to capture. This is the 75th of this 100-episode project, and I hope you take some time to enjoy them all.
Posted: Wednesday, September 25, 2013
The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.
Posted: Wednesday, September 11, 2013
Earlier this year, the Met became the first art museum to ever receive a TEDx license to hold a conference in the style of the globally known TED Talks. We chose the (broadly interpreted) theme of Icons and started to plan right away...
Posted: Thursday, July 25, 2013
announced a new program aimed at connecting more directly with the global museum community. The Met has been an international institution since its founding; it was established in 1870 not as a museum of American art but as an encyclopedic collection—with the goal of including works of art from around the world. Since then we've collaborated with nations and institutions across the globe, through exhibitions, excavations, training, and all types of scholarly exchange.
Posted: Friday, May 10, 2013
The Cloisters marks its seventy-fifth anniversary this year. Since its opening on May 14, 1938, it has become a treasured landmark, celebrated for both its extraordinary setting and its world-class collection of medieval art and architecture. Located in Fort Tryon Park, a verdant oasis on the northern tip of Manhattan, the building commands sweeping views of the Hudson River and the towering Palisades on the river's opposite bank. The quiet of the lush gardens and the magnificence of the historic architecture create an ideal setting for the outstanding collection within.
Posted: Wednesday, April 10, 2013
Yesterday was an exciting and historic moment for the Met, as we announced the gift of Leonard Lauder's unrivaled collection of seventy-eight Cubist paintings to the Museum. This is among the greatest contributions to the Metropolitan in the course of its 143-year evolution, in the same league as gifts from J.P. Morgan, Louisine and H.O. Havemeyer, Benjamin Altman, Robert Lehman, Charles and Jayne Wrightsman, and Walter Annenberg—truly transformative collections that have come to the Met.