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Shi-yee Liu is an assistant research curator of Chinese art in the Department of Asian Art.
Shi-yee Liu, Assistant Research Curator of Chinese Art, Department of Asian Art
Posted: Friday, June 26, 2015
The Metropolitan Museum's collection of Chinese painting and calligraphy, one of the finest outside China in both quality and scope, is largely built upon the acquisition of a few private collections. The nearly three hundred works that entered the Museum from the collections of C. C. Wang (1907–2003), the Edward Elliot Family, and John M. Crawford, Jr. (1913–88) in the 1970s and 1980s include several of the most important extant Song (960–1279) and Yuan (1271–1368) pieces today. Spanning the period from the eleventh to the nineteenth century, these works form the core of the department's painting and calligraphy collection from dynastic China.
Posted: Wednesday, July 16, 2014
"The Administrator of Kuaiji [Wang Xizhi, ca. 303–ca. 361] is all mannerist cliché.
As the study of calligraphy declines, I enjoy a free rein with a laugh.
Scornful of following known calligraphers like a maid,
I take the stone tablet of Mount Hua as my master."
In 1736, leading artist Jin Nong (1687–1773) wrote this iconoclastic quatrain that reflects a momentous turning point in the development of Chinese calligraphy during his time. Abandoning the venerated tradition defined by the classic elegance of its patriarch, Wang Xizhi, Jin Nong turned to an earlier, less-sophisticated model—stone inscriptions of the ancient Han dynasty (206 b.c.–a.d. 220)—for guidance.
Posted: Wednesday, May 14, 2014
Calligraphy is considered the premier art form in Chinese culture because it so directly reflects an artist's character and mentality. Sequences of lines and dots trace the creative process with utmost immediacy, and one can envision the movements of the calligrapher's hand and sense his mood, while the words—especially poetry of one's own composition—convey his thoughts. The calligraphy album of Chen Hongshou (1599–1652), currently featured in the exhibition Out of Character: Decoding Chinese Calligraphy—Selections from the Collection of Akiko Yamazaki and Jerry Yang, exemplifies this unique union of visual and verbal arts.
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