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Stories in Features

The Fellowship Program: Sixty Years of Scholarship

Marcie Karp, Managing Museum Educator for Academic Programs

Posted: Tuesday, July 19, 2011

The fellows on an architectural tour of the Metropolitan Museum led by Morrison H. Heckscher

Established in 1951, the Fellowship Program at The Metropolitan Museum of Art is flourishing, with scholars taking up residence in all corners of the building—from the curatorial departments, conservation labs, libraries, and study rooms to the Education Department, gallery spaces, offices, and archives.

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Today in Met History: July 15

Melissa Bowling, Associate Archivist, Museum Archives

Posted: Friday, July 15, 2011

Ninety years ago today, on July 15, 1921, The Metropolitan Museum of Art opened its first solo exhibition of works by a female artist. The Children's World: Drawings by Florence Wyman Ivins, a group of watercolor drawings, woodcuts, and black-and-white drawings, was shown in the Education Department through November 19, 1921.

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Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents

Yaëlle Biro, Assistant Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Thursday, July 7, 2011

The current exhibition Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents reflects the dynamic intersection of two areas of the Museum's permanent collections—it is presented in the spacious passageway between the galleries of modern art and those dedicated to the arts of Africa, Oceania, and the Americas.

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The Rise of Pastel in the Eighteenth Century

Marjorie Shelley, Sherman Fairchild Conservator in Charge, Sherman Fairchild Center for Works on Paper and Photograph Conservation

Posted: Tuesday, July 5, 2011

The current exhibition Pastel Portraits: Images of 18th-Century Europe opens a window on one of the most popular art forms of the Rococo and Enlightenment eras. These works slipped from public notice long ago as they became associated with the artificiality of the ancien régime, and in modern times because their fragility discouraged exhibition and travel. This is the first exhibition of such portraits in at least seventy-five years. It presents a sense of the great numbers of artists who practiced in this once popular medium, the many different styles in which they worked, and the materials and techniques they employed.

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This Weekend in Met History: July 2

Jonathan Bloom, Intern, Museum Archives

Posted: Friday, July 1, 2011

Jacob S. Rogers

One hundred and ten years ago this weekend, on July 2, 1901, American locomotive magnate and Metropolitan Museum of Art benefactor Jacob S. Rogers died. Unbeknownst to the Museum's staff and Trustees at the time, Rogers's death would result in the largest and most significant financial contribution to the institution until that time, and among the most important in its history.

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McQueen and Tartan

Jonathan Faiers, Reader in Fashion Theory at Winchester School of Art

Posted: Thursday, June 30, 2011

Ensemble, Widows of Culloden

Alexander McQueen had a unique understanding of the dramatic potential of tailoring, as well as of how the actual fabric of a garment is intrinsic both to its shape and historical, cultural, and psychological impact. In the exhibition Alexander McQueen: Savage Beauty, a retrospective of the late designer's work, we can appreciate the designer's superb craftsmanship up close; from shells to feathers, from traditional embroidery to cutting-edge digital print, we see the dazzling array of textile techniques that cemented his reputation as the most inventive fashion designer of the late twentieth and early twenty-first centuries.

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Winner of McQueen Fashion Design Contest Selected

Shannon Bell Price, Associate Research Curator, The Costume Institute

Posted: Thursday, June 16, 2011

In conjunction with the exhibition Alexander McQueen: Savage Beauty, The Costume Institute at The Metropolitan Museum of Art held a competition for fashion design graduate students this spring. The winner was announced at the Met's McQueen for a Night event on May 20; Paula Cheng, a student at Parsons The New School for Design, won the contest and received an internship at Alexander McQueen, a yearlong Metropolitan Museum Membership, and several other exhibition-related prizes.

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The Washington Haggadah: Of Mice and Men

Barbara Drake Boehm, Paul and Jill Ruddock Curator, Department of Medieval Art and The Cloisters; and Melanie Holcomb, Curator, Department of Medieval Art and The Cloisters

Posted: Tuesday, June 7, 2011

Haggadah page

As our presentation of the Washington Haggadah enters its final month, we turn not to the end of the book but to the first page of the manuscript. In both word and image, this page proclaims the privilege of preparing for Passover.

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The Mask of Agamemnon: An Example of Electroformed Reproduction of Artworks Made by E. Gilliéron in the Early Twentieth Century

Dorothy H. Abramitis, Conservator, The Sherman Fairchild Center for Objects Conservation

Posted: Wednesday, June 1, 2011

Electrotype reproduction of the gold "Mask of Agamemnon" from Mycenae

The "Mask of Agamemnon" is one of the most famous gold artifacts from the Greek Bronze Age. Found at Mycenae in 1876 by the distinguished archaeologist Heinrich Schliemann, it was one of several gold funeral masks found laid over the faces of the dead buried in the shaft graves of a royal cemetery.

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Today in Met History: May 31

Melissa Bowling, Associate Archivist, Museum Archives

Posted: Tuesday, May 31, 2011

One hundred and twenty years ago today, on May 31, 1891, The Metropolitan Museum of Art opened to the public on a Sunday for the first time in its history. The decision to allow Sunday admission followed nearly twenty years of debate on the subject.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.

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