Posted: Thursday, March 26, 2015
Beginning in 1933, in the shadow of the Great Depression, the Museum began an initiative known as "Neighborhood Circulating Exhibitions." This experiment was a collection of traveling exhibitions, composed exclusively of Museum-owned objects, to be exhibited in the neighborhoods of "certain groups in the city's population that have not thus far had the adequate opportunity to take advantage of the Museum's services" (The Metropolitan Museum of Art Bulletin, Vol. 28, No. 11, Part 1, Nov. 1933, 183). The works were to be exhibited, at the expense of the Museum, in neighborhood spaces such as settlement houses, branches of the New York Public Library, municipal offices, and schools.
Posted: Friday, March 6, 2015
Each semester Media Lab works with a group of college and graduate interns, exploring the ways that technology impacts, and is impacted by, the Museum experience. Media Lab interns are encouraged to think outside of the box, to engage deeply with the Museum's staff, collection, and visitors, and come up with novel prototypes that encourage conversation and spur new thinking about the relationship between contemporary digital practice and centuries of artistic tradition. At the conclusion of the internship, participants present their projects to the public at the Media Lab Expo. Visitors can try out hands-on demos and talk to the creators themselves about their work and ideas.
Posted: Wednesday, February 18, 2015
We are four interdisciplinary artists pursuing Master of Fine Arts degrees at PIMA, Brooklyn College. From January through May 2014, we were in residence at the Met's Media Lab, working in collaboration with five artists over the age of sixty who live and work at the Westbeth Home to the Arts in New York City's West Village. Together we created "Metaverses"—an augmented-reality tour of some of the Museum's collection.
Posted: Monday, February 2, 2015
When I joined the Met as Website Editor in 2006, the Artwork of the Day feature—which appeared on our old website's "splash page"—was limited to a small set of preselected, curatorially approved works of art. I felt we had a great opportunity to change the process. Why be limited to a small number of works when the Museum's collection is so vast? And why not tie the picks to actual events, either current or historic? That first year, I even included special birthday picks for my friends and family. These days, I select works that relate more broadly to historic and current events, holidays, artists' birthdays, Museum milestones, and even the weather forecast.
Posted: Monday, January 26, 2015
Hidden behind the galleries, unseen by visitors, lies a veritable city within the Museum's walls. In support of the Met's buildings and daily activities are highly skilled, highly dedicated tradesmen, and our many workshops see the tireless work of carpenters, engineers, lampers, painters, plexi-workers, plumbers, riggers, roofers, landscapers, electricians, machinists/millwrights, and locksmiths. The product of their work is knowable by the constant fine-tuning of our galleries and buildings, and by the comfort of visitors and employees who spend their days at the Museum. Their work has gone on without much fanfare, but without their expert efforts the Museum would struggle to subsist.
Posted: Thursday, January 15, 2015
During my Media Lab internship this summer, I explored a prototype project that uses two Kinect depth sensors to reconstruct a scene that can be viewed from different perspectives based on the viewer's position. What I then created (seen in the video above) is a 3D-video-converted GIF shot with two Kinect depth sensors pointing at the dancer, Veronika, from opposing sides. The 3D images from each sensor are then put together in post-production, resulting in this all-around 360-degree video.
Posted: Monday, January 5, 2015
The newest version of the Met App, V.1.1, was released earlier today, and includes dozens of design and usability refinements inspired by feedback from our users. Among a number of new enhancements being rolled out, I hope users will enjoy the new "Favorites" feature, which enables the creation of personal lists of exhibitions, artworks, and events happening across the Museum. I can't wait to see what makes it to the shortlists of our 134,000-plus users.
Posted: Wednesday, December 31, 2014
Met Blogs grew dramatically this year, with hundreds of new posts published across twelve different blogs. As my colleagues and I look forward to bringing you even more content in the year ahead, it seems appropriate to take a moment to reflect on some of the highlights of 2014, and to point out a few posts that you may have missed.
What follows is a snapshot of what we've published—just enough to show that it's been a fantastic year thanks primarily to our willing and generous authors (as of this post we are up to 313 contributors!), a tireless editorial team (Website Managing Editor Anne Dunleavy and Website Editor Michael Cirigliano II), and, especially, to our readers.
Posted: Monday, December 8, 2014
Digital Underground finishes its Met + Parsons Museum Accessibility Workshop series by taking a look at a project that addresses the need for clear, practical guidelines for creating accessible websites. In the end, the participants in this project produced two documents that can serve as guidelines for coding accessible websites and developing verbal descriptions of art objects. We caught up with the team to ask them some questions about their goals in this workshop, and what they discovered about the museum experience while engaged in the workshop.
Posted: Monday, December 1, 2014
In a recent study by LaMagnética, the Spanish digital agency found the Met to be the most influential museum in the world on Twitter.