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Posts Tagged "Crosby Brown Collection"

Of Note

Digitizing Met History: The Crosby Brown Catalogues

Robyn Fleming, Assistant Museum Librarian, Thomas J. Watson Library

Posted: Monday, October 20, 2014

In honor of the 125th anniversary of the first gift of musical instruments to The Metropolitan Museum of Art, the Thomas J. Watson Library recently digitized the complete set of catalogues of the Crosby Brown Collection of Musical Instruments. These catalogues, dating from 1888 through 1915, document the remarkable growth of this collection during its early years at the Met—growth which was almost entirely a result of the keen eye, strong social ties, and generous patronage of Mary Elizabeth Adams Brown.

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Of Note

The Challenges of Collecting North America, Continued: The Sioux and The Smithsonian

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Tuesday, October 14, 2014

As of 1888, when Mary Elizabeth Brown was preparing her first catalog of the 270 instruments that would soon be gifted to the Metropolitan Museum, she had acquired approximately three dozen American instruments (some of which were collected through her family's network of missionaries). These examples came primarily from Sioux, Apache, and Pueblo peoples, with a few from Cuba, Mexico, Alaska, and Canada (which Brown referred to as "British America"). It appears to have been relatives in St. Paul, Minnesota, that put her in touch with agents and traders west of the Mississippi.

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Of Note

The Challenges of Collecting North America: Missionaries and Friends

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Monday, October 6, 2014

Institutions and individual collectors of musical instruments were active in Europe throughout the nineteenth century. Their interests and collections tended to represent national traditions, though most also had access to instruments from colonies and territories associated with their mother countries. However, it was extremely challenging for Europeans to obtain information and reliable sources for American instruments. The most recent publication from the U.S. Bureau of Indian Affairs was dated 1860, as was the French Abbé Domenech's Seven Years' Residence in the Great Deserts of North America.

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Of Note

Anton Bruckner and the Brown Family

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Tuesday, September 2, 2014

The Department of Musical Instruments continues to commemorate the 125th anniversary of the first gift of musical instruments from Mary Elizabeth Adams Brown, who over several decades built a collection of more than 3,300 instruments for the Museum. The collection she gave is named for her husband, John Crosby Brown, and still forms the majority of the Museum's departmental holdings.

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Of Note

Raja Tagore: Renaissance Man of Indian Music

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art; and Allen Roda, Former Jane and Morgan Whitney Research Fellow, Department of Musical Instruments

Posted: Monday, August 25, 2014

Among the more distinguished benefactors of the Museum's collection of musical instruments was Raja Sir Sourindro Mohun Tagore (1840–1914), a leading figure in the Bengal Renaissance of the late nineteenth century, as well as an educator, patron of music, and musicologist. Tagore was born in 1840 in Calcutta, then the capital of British India, to a Brahmin family—wealthy merchants with lands formerly owned by ruling aristocrats, who were fluent in English and conversant with Western European knowledge. The British often conferred the aristocratic title of Raja on prominent citizens; Tagore's brother inherited the senior title Maharaja, and, in 1880, Tagore himself was titled Raja, though his family had no political authority.

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Of Note

Missionaries Making Music: Building Mary Elizabeth Adams Brown's Collection

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Monday, July 28, 2014

From 1889–1909 Mary Elizabeth Adams Brown was regarded as the authority in America on musical instruments from all over the world. By her death in 1918 she had lavished more than 3,300 instruments on The Metropolitan Museum of Art. Her first gift, in 1889, consisted of 276 instruments—mostly objects from distant places and "savage and oriental" peoples, as she described them in the parlance of her day. By 1901 these instruments occupied five rooms, or ten percent of the total number of galleries in the Museum at the time. Brown called her collection, as an acknowledgement of its scope and in honor of her husband, "The Crosby Brown Collection of Musical Instruments of All Nations."

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Of Note

Frances Morris and The Crosby Brown Collection

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art

Posted: Tuesday, June 10, 2014

Frances Morris (1866–1955) was not only the first woman to work as a professional at The Metropolitan Museum of Art, but she was also, effectively, the first curator of the Museum's collection of musical instruments. The daughter of a minister and raised in New York, little is known of her early life and education, and there is no evidence that she had any professional degrees or musical training.

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Of Note

Mary Elizabeth Adams Brown's Collection Celebrates 125 Years at the Met

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Tuesday, February 18, 2014

With her letter of February 16, 1889, Mary Elizabeth Adams Brown (1842–1918) became a "surprise collector" at The Metropolitan Museum of Art. As a woman of the time, her confident, independent tone was as unexpected as her collection was little known. She was the wife of a respected New York merchant banker, John Crosby Brown of Brown Bros. & Co., and she herself was of impeccable New England ancestry—the grand-daughter of shipbuilders, clergymen, and schoolmen.

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Of Note

Joseph W. Drexel and the Beginnings of the Met's Musical Instrument Collection

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art

Posted: Thursday, January 30, 2014

This year the Museum officially celebrates the 125th anniversary of the Crosby Brown Collection of Musical Instruments. In 1889 Mrs. John Crosby Brown, the largest donor in the Department's history, gave the first 278 of what would ultimately be more than 3,000 instruments. She was not the founder of the Museum's instrument collection, however—that honor belongs to Joseph W. Drexel (1830–1888). This post is dedicated to Drexel, and is the first in an occasional series that will highlight the history of the collection during this anniversary year.

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About this Blog

The Museum's collection of musical instruments includes approximately five thousand examples from six continents and the Pacific Islands, dating from about 300 B.C. to the present. It illustrates the development of musical instruments from all cultures and eras. On this blog, curators and guests will share information about this extraordinary collection, its storied history, the department's public activities, and some of the audio and video recordings from our archives.