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Allen Roda was formerly a Jane and Morgan Whitney Research Fellow in the Department of Musical Instruments.
Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art; and Allen Roda, Former Jane and Morgan Whitney Research Fellow, Department of Musical Instruments
Posted: Monday, August 25, 2014
Among the more distinguished benefactors of the Museum's collection of musical instruments was Raja Sir Sourindro Mohun Tagore (1840–1914), a leading figure in the Bengal Renaissance of the late nineteenth century, as well as an educator, patron of music, and musicologist. Tagore was born in 1840 in Calcutta, then the capital of British India, to a Brahmin family—wealthy merchants with lands formerly owned by ruling aristocrats, who were fluent in English and conversant with Western European knowledge. The British often conferred the aristocratic title of Raja on prominent citizens; Tagore's brother inherited the senior title Maharaja, and, in 1880, Tagore himself was titled Raja, though his family had no political authority.
Allen Roda, Former Jane and Morgan Whitney Research Fellow, Department of Musical Instruments
Posted: Monday, April 7, 2014
Happy birthday to Pandit Ravi Shankar—the legendary sitarist widely known to have played a pivotal role in spreading appreciation for Hindustani classical music throughout the world, as well as for teaching Beatles guitarist George Harrison to play the instrument.
Posted: Thursday, March 27, 2014
The sūr pyār is a novelty instrument comprising three different musical instruments—tāmbūra, esrāj, and sitār—joined together at the base and peg box. Each separate component provides a distinct function in North Indian classical music: the tāmbūra is present in nearly every concert or recording, providing a constant drone in the background that serves as a tonal reference for the melodic instruments; the esrāj is very similar to other bowed instruments from North India, like the sarangī, in its ability to mimic the human voice, and is often used as accompaniment to a vocalist or as a solo instrument; and the sitār—perhaps the most iconic musical instrument of India thanks to Pandit Ravi Shankar—is a solo melodic instrument that is fretted and plucked with a plectrum, or mizrāb, attached to the musician's fingertip.
The Museum's collection of musical instruments includes approximately five thousand examples from six continents and the Pacific Islands, dating from about 300 B.C. to the present. It illustrates the development of musical instruments from all cultures and eras. On this blog, curators and guests will share information about this extraordinary collection, its storied history, the department's public activities, and some of the audio and video recordings from our archives.
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