Posted: Monday, December 8, 2014
The name Sax is usually connected to Adolphe Sax, the man who achieved immortality with the creation of the saxophone, an instrument he invented around 1840 and patented in 1846. An outstanding and rare example of an ivory clarinet in the Met's collection, however, draws our attention to Charles Joseph Sax, Adolphe's father.
Posted: Monday, November 24, 2014
This week marks the celebration of Thanksgiving in the United States, and one of the popular hymns that will be used in religious services marking the date is the hymn "Nun danket alle Got," or "Now Thank We All Our God." The words to this hymn were written around 1636 by the Lutheran minister Martin Rinkart (1586–1649) and set to the tune known as the "Leuthen Chorale," attributed to Johann Crüger and written around 1647. The melody was later set by Johann Sebastian Bach in several of his cantatas and by Felix Mendelssohn in his Second Symphony.
Posted: Monday, November 17, 2014
In honor of the bicentenary of the birth of instrument maker Adolphe Sax, the Department of Musical Instruments has opened Celebrating Sax: Instruments and Innovation in gallery 682 of The André Mertens Galleries for Musical Instruments. This new exhibition features some astounding instruments by the maker and his family, and traces the influence he had on other builders of musical instruments.
Posted: Monday, November 3, 2014
November 6 marks the two-hundredth birthday of Adolphe Sax (1814–1894), and the Met will be celebrating the occasion with a special exhibition, Celebrating Sax: Instruments and Innovation, which features instruments made by three generations of the Sax family. Rare saxophones, brass instruments, and even an exquisite ivory clarinet are among the twenty-six instruments selected to showcase the inventions and innovations of this extraordinary family. The exhibition opens with a free concert by internationally acclaimed saxophone soloist Paul Cohen at 2:30 pm this Wednesday, November 5, in The André Mertens Galleries for Musical Instruments.
Posted: Monday, October 20, 2014
In honor of the 125th anniversary of the first gift of musical instruments to The Metropolitan Museum of Art, the Thomas J. Watson Library recently digitized the complete set of catalogues of the Crosby Brown Collection of Musical Instruments. These catalogues, dating from 1888 through 1915, document the remarkable growth of this collection during its early years at the Met—growth which was almost entirely a result of the keen eye, strong social ties, and generous patronage of Mary Elizabeth Adams Brown.
Posted: Tuesday, October 14, 2014
As of 1888, when Mary Elizabeth Brown was preparing her first catalog of the 270 instruments that would soon be gifted to the Metropolitan Museum, she had acquired approximately three dozen American instruments (some of which were collected through her family's network of missionaries). These examples came primarily from Sioux, Apache, and Pueblo peoples, with a few from Cuba, Mexico, Alaska, and Canada (which Brown referred to as "British America"). It appears to have been relatives in St. Paul, Minnesota, that put her in touch with agents and traders west of the Mississippi.
Posted: Monday, October 6, 2014
Institutions and individual collectors of musical instruments were active in Europe throughout the nineteenth century. Their interests and collections tended to represent national traditions, though most also had access to instruments from colonies and territories associated with their mother countries. However, it was extremely challenging for Europeans to obtain information and reliable sources for American instruments. The most recent publication from the U.S. Bureau of Indian Affairs was dated 1860, as was the French Abbé Domenech's Seven Years' Residence in the Great Deserts of North America.
Posted: Monday, September 29, 2014
As September and National Piano Month come to an end, the Department of Musical Instruments wraps up its series of posts highlighting some of the most important pianos from The Metropolitan Museum of Art—home to one of the most comprehensive collections of historic pianos to be found anywhere in the world. After showcasing the work of Erard & Co., Joseph Böhm, Conrad Graf, Nunns & Clark, Johann Schmidt, and Carl Bechstein in previous installments, the celebration finishes with five final examples of pianos from the Museum's collection—including the oldest extant piano in the world.
Posted: Wednesday, September 24, 2014
In honor of National Piano Month, the Department of Musical Instruments continues its series of posts highlighting some of the most important, unusual, and visually interesting pianos from The Metropolitan Museum of Art—home to one of the most important and comprehensive collections of historic pianos to be found anywhere in the world. After exploring the craftsmanship of Erard & Co., Joseph Böhm, F. Beale & Co., John Geib and Son, and Conrad Graf in the first installment, the survey continues with five more examples of historic pianos from the Museum's collection.
Posted: Friday, September 19, 2014
The piano has been an integral part of Western music since the late eighteenth century. Although invented around the year 1700, it took several decades before the instrument had become a favorite of composers and performers alike. The piano underwent enormous change in its first 150 years, and the two regional schools of instrument makers—located in Vienna and London—gave musicians a large choice of pianos with differing tonal characteristics. Versions of the instrument eventually developed that were space-efficient, first the square piano and later the upright, which allowed it to find its way into middle-class homes.