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Of Note

The Sax Family: Three Generations of Genius

Bradley Strauchen-Scherer, Associate Curator, Department of Musical Instruments

Posted: Monday, November 17, 2014

In honor of the bicentenary of the birth of instrument maker Adolphe Sax, the Department of Musical Instruments has opened Celebrating Sax: Instruments and Innovation in gallery 602 of The André Mertens Galleries for Musical Instruments. This new exhibition features some astounding instruments by the maker and his family, and traces the influence he had on other builders of musical instruments.

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Of Note

Celebrating Sax: Instruments and Innovation

Bradley Strauchen-Scherer, Associate Curator, Department of Musical Instruments

Posted: Monday, November 3, 2014

November 6 marks the two-hundredth birthday of Adolphe Sax (1814–1894), and the Met will be celebrating the occasion with a special exhibition, Celebrating Sax: Instruments and Innovation, which features instruments made by three generations of the Sax family. Rare saxophones, brass instruments, and even an exquisite ivory clarinet are among the twenty-six instruments selected to showcase the inventions and innovations of this extraordinary family. The exhibition opens with a free concert by internationally acclaimed saxophone soloist Paul Cohen at 2:30 pm this Wednesday, November 5, in The André Mertens Galleries for Musical Instruments.

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Of Note

Digitizing Met History: The Crosby Brown Catalogues

Robyn Fleming, Assistant Museum Librarian, Thomas J. Watson Library

Posted: Monday, October 20, 2014

In honor of the 125th anniversary of the first gift of musical instruments to The Metropolitan Museum of Art, the Thomas J. Watson Library recently digitized the complete set of catalogues of the Crosby Brown Collection of Musical Instruments. These catalogues, dating from 1888 through 1915, document the remarkable growth of this collection during its early years at the Met—growth which was almost entirely a result of the keen eye, strong social ties, and generous patronage of Mary Elizabeth Adams Brown.

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Of Note

The Challenges of Collecting North America, Continued: The Sioux and The Smithsonian

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Tuesday, October 14, 2014

As of 1888, when Mary Elizabeth Brown was preparing her first catalog of the 270 instruments that would soon be gifted to the Metropolitan Museum, she had acquired approximately three dozen American instruments (some of which were collected through her family's network of missionaries). These examples came primarily from Sioux, Apache, and Pueblo peoples, with a few from Cuba, Mexico, Alaska, and Canada (which Brown referred to as "British America"). It appears to have been relatives in St. Paul, Minnesota, that put her in touch with agents and traders west of the Mississippi.

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Of Note

The Challenges of Collecting North America: Missionaries and Friends

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Monday, October 6, 2014

Institutions and individual collectors of musical instruments were active in Europe throughout the nineteenth century. Their interests and collections tended to represent national traditions, though most also had access to instruments from colonies and territories associated with their mother countries. However, it was extremely challenging for Europeans to obtain information and reliable sources for American instruments. The most recent publication from the U.S. Bureau of Indian Affairs was dated 1860, as was the French Abbé Domenech's Seven Years' Residence in the Great Deserts of North America.

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Of Note

Celebrating National Piano Month, Part Three

Jayson Dobney, Associate Curator and Administrator, Department of Musical Instruments

Posted: Monday, September 29, 2014

As September and National Piano Month come to an end, the Department of Musical Instruments wraps up its series of posts highlighting some of the most important pianos from The Metropolitan Museum of Art—home to one of the most comprehensive collections of historic pianos to be found anywhere in the world. After showcasing the work of Erard & Co., Joseph Böhm, Conrad Graf, Nunns & Clark, Johann Schmidt, and Carl Bechstein in previous installments, the celebration finishes with five final examples of pianos from the Museum's collection—including the oldest extant piano in the world.

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Of Note

Celebrating National Piano Month, Part Two

Jayson Dobney, Associate Curator and Administrator, Department of Musical Instruments

Posted: Wednesday, September 24, 2014

In honor of National Piano Month, the Department of Musical Instruments continues its series of posts highlighting some of the most important, unusual, and visually interesting pianos from The Metropolitan Museum of Art—home to one of the most important and comprehensive collections of historic pianos to be found anywhere in the world. After exploring the craftsmanship of Erard & Co., Joseph Böhm, F. Beale & Co., John Geib and Son, and Conrad Graf in the first installment, the survey continues with five more examples of historic pianos from the Museum's collection.

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Of Note

Celebrating National Piano Month, Part One

Jayson Dobney, Associate Curator and Administrator, Department of Musical Instruments

Posted: Friday, September 19, 2014

The piano has been an integral part of Western music since the late eighteenth century. Although invented around the year 1700, it took several decades before the instrument had become a favorite of composers and performers alike. The piano underwent enormous change in its first 150 years, and the two regional schools of instrument makers—located in Vienna and London—gave musicians a large choice of pianos with differing tonal characteristics. Versions of the instrument eventually developed that were space-efficient, first the square piano and later the upright, which allowed it to find its way into middle-class homes.

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Of Note

Anton Bruckner and the Brown Family

Sally B. Brown, Visiting Committee Co-chair, Department of Musical Instruments

Posted: Tuesday, September 2, 2014

The Department of Musical Instruments continues to commemorate the 125th anniversary of the first gift of musical instruments from Mary Elizabeth Adams Brown, who over several decades built a collection of more than 3,300 instruments for the Museum. The collection she gave is named for her husband, John Crosby Brown, and still forms the majority of the Museum's departmental holdings.

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Of Note

Raja Tagore: Renaissance Man of Indian Music

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art; and Allen Roda, Former Jane and Morgan Whitney Research Fellow, Department of Musical Instruments

Posted: Monday, August 25, 2014

Among the more distinguished benefactors of the Museum's collection of musical instruments was Raja Sir Sourindro Mohun Tagore (1840–1914), a leading figure in the Bengal Renaissance of the late nineteenth century, as well as an educator, patron of music, and musicologist. Tagore was born in 1840 in Calcutta, then the capital of British India, to a Brahmin family—wealthy merchants with lands formerly owned by ruling aristocrats, who were fluent in English and conversant with Western European knowledge. The British often conferred the aristocratic title of Raja on prominent citizens; Tagore's brother inherited the senior title Maharaja, and, in 1880, Tagore himself was titled Raja, though his family had no political authority.

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About this Blog

The Museum's collection of musical instruments includes approximately five thousand examples from six continents and the Pacific Islands, dating from about 300 B.C. to the present. It illustrates the development of musical instruments from all cultures and eras. On this blog, curators and guests will share information about this extraordinary collection, its storied history, the department's public activities, and some of the audio and video recordings from our archives.