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Mask of a woman with ball earrings, corkscrew locks and bang

Period:
Roman Period
Date:
A.D. 50–100
Geography:
From Egypt
Medium:
Plaster, paint
Dimensions:
h. 15.5 cm (6 1/8 in); w. 7 cm (2 3/4 in)
Credit Line:
Rogers Fund, 1900
Accession Number:
00.2.35
  • Description

    Mummy Portraits on Painted Plaster Masks

    The plaster masks derive from pharaonic traditions, in which the mask served as a substitute for the head of the deceased and as a means of elevating him or her to
    immortal status. The derivation is often reflected in paintings and texts located on the mantle surrounding the head.

    Like the painted mummy portraits, the masks suggest strongly individualized appearances and affect Roman fashions in hairstyle, jewelry, and dress. They follow, however, a somewhat different pattern. For example, female masks may have coiffures that combine Roman arrangements of the upper part of the hair with long corkscrew locks that were considered typically Egyptian.

    Despite the seeming individuality of the masks, most faces were made in a mold. Distinguishing details were worked in the plaster with a spatula or knife. The ears were added separately, and sometimes eyes were inlaid with glass or stone. The mask was then frequently painted or gilded.

  • Provenance

    Purchased from André Bircher in Cairo, 1900.

  • See also
    What
    Where
    When
    In the Museum
    Heilbrunn Timeline of Art History
547845

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