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Cased set of a flintlock rifle, a pair of pistols, and accessories

Nicolas Noël Boutet (French, Versailles and Paris, 1761–1833)

Date:
ca. 1800
Culture:
French, Versailles
Medium:
Steel, engraved, blued, and damascened with gold; walnut, carved and inlaid with engraved silver; silver, cast and chiseled; horn; mahogany; velvet
Dimensions:
L. of rifle, 43 1/2 in. (110.49 cm); L. of barrel of rifle, 27 5/8 in. (70.2 cm); Cal. of rifle, .64 in. (16.26 mm); Wt. of rifle, 6 lb. 7 oz. (2920 g); L. of each pistol, 17 in. (43.17 cm); L. of barrel, 11 5/8 in. (29.53 cm); Cal. of each pistol, .52 in. (13.21 mm); Wt. 2 lbs. 2 oz. (963.88 g) Weight of each pistol, 2 lb. 2 oz. (963.9 g) Length of each pistol, 17 in. (43.2 cm) Barrel length of each pistol, 11 5/8 in. (29.5 cm) Case dimensions, 46 7/16 x 15 15/16 x 2 3/16 in. (118 x 40.5 x 5.5 cm)
Classification:
Firearms-Guns-Flintlock
Credit Line:
Fletcher Fund, 1970
Accession Number:
1970.179.1a–q
  • Description

    The Revolution of 1789 and the subsequent rise of Napoleon, first as consul (1799–1804) and then as emperor (1804–14), brought about a dramatic change in the design and decoration of French firearms. The principal innovator was Nicholas Noël Boutet (1761–1833), who was named directeur-artiste of the newly formed Versailles Arms Manufactory in 1792. While the Versailles factory was the principal producer of regulation weapons for the French armies, Boutet was also charged with creating richly decorated arms for presentation to military heroes and foreign heads of state.
    Firearms of this period, like the rifle illustrated, show an unequaled technical perfection and precision of workmanship. The delicate Rococo style associated with the ancien régime was abandoned and replaced by the more masculine classicism of the Empire style with its references to Greco-Roman and Egyptian motifs. Gunstocks were inlaid with engraved sheet silver and gold, and the mounts were often of heavy silver cast in bold relief. The decoration included trophies of arms and scenes of classical battles and victories that implied France's military glory.
    A cased set of this type was among the most luxurious offerings of the Boutet Manufactory. It includes a lavishly decorated rifle, matching pistols, and a full array of tools and accessories necessary to load and unload the weapons or to disassemble them for cleaning or maintenance.

  • Signatures, Inscriptions, and Markings

    Inscription: Rifle: Barrel (serial number, at side) 55 (makers mark, underneath) DB within wreath.
    Pistols: Barrels (serial number, at side) 56 Locks (inidentified lockmaker, insdie) JQ
    Assembly marks: X,  (These marks found on almost every individual part of lock, stock and barrel of pistols; they also occur on carbine, but are less numerous)
    Inscriptons: Rifle: Barrel (in script, along top): Boutet Directeur Artiste Manufrre a Versailles
    Lockplate: BOUTET a Versailles
    Escutcheon (in Cyrillic): Nicolai Pompeyevich Shabelski
    Stock (stamped beneath sideplate): NICHOLAS DE CHABELSKY ST RAPHAEL VAR FRANCE
    Rifle: Buttplate: 29·NOVEMBER·1900·PARIS
    Pistols: Barrels (in script, along top): Boutet a Versailles
    Lockplates: BOUTET a Versailles
    Triggerguards (in Cyrillic): Nicolai pompeyevich Shabelski (in monogram) NS
    Accessories: Powderflask: Entreprise Boutet Manufacre a Versailles
    Case (on silver escutcheon): Manuf* a Versailles Entrepse Boutet

    Hallmarks
    (1) octagon containing cock with number 1 to left (official assay mark - poinçon de titre - denoting first standard silver (0.950) for period 1798-1809)
    (2) oval containing number 88 separated by head of old man (excise mark - poinçon de garantie - used in Seine-Inférieure Départment for large-sized work, 1798-1809)
    (3) lozenge containing initials JM separated by pellet, five pointed star above, seven pellets below in form of grape cluster
    (maker's mark, unidentified)

  • Provenance

    Ex coll.: Bidal (?); G. Diderrich

  • See also
    Who
    What
    Where
    In the Museum
    Heilbrunn Timeline of Art History
    MetPublications
24861

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