Inscription: Signed (lower left): Manet

the artist, Paris (1866–72; sold in January 1872 for Fr 1,500 to Durand-Ruel); [Durand-Ruel, Paris, 1872–77, stock no. 958; sold for Fr 2,000 or 2,500 to Hoschedé]; Ernest Hoschedé, Paris (1877–78; his sale, Hôtel Drouot, Paris, June 6, 1878, no. 44, as "Femme au Perroquet," for Fr 700 to Hecht); Henri Hecht, Paris (from 1878); [Durand-Ruel, Paris, until 1881; sold to J. Alden Weir for Davis]; Erwin Davis, New York (1881–89; sale, Ortgies, New York, March 19–20, 1889, no. 99, as "Feeding the Parrot," for $1,350, bought in)

Paris. The artist's studio. Spring 1866, no catalogue [see Ref. Tabarant 1947].

Paris. Avenue de l'Alma. "Tableaux de M. Édouard Manet," May 1867, no. 15 (as "Jeune dame en 1866").

Paris. Salon. May 1–June 20, 1868, no. 1659.

London. Durand-Ruel. "Fifth Exhibition of the Society of French Artists," Winter 1872, no. 49 [see Ref. Cooper 1954].

New York. National Academy of Design. "Pedestal Fund Art Loan Exhibition," December 3, 1883–January 1, 1884, no. 182 (lent by Erwin Davis).

Paris. École nationale des beaux-arts. "Exposition des œuvres de Édouard Manet," January 6–28, 1884, no. 39 [possibly this picture; see Ref. Distel 1981].

Paris. Palais National des Arts. "Chefs d'œuvre de l'art français," July–September 1937, no. 356.

Paris. Musée de l'Orangerie. "De David à Toulouse-Lautrec: Chefs-d'œuvre des collections américaines," Spring 1955, no. 38.

Haus der Kunst München. "Französische Malerei des 19. Jahrhunderts von David bis Cézanne," October 7, 1964–January 6, 1965, no. 161.

New York. The Metropolitan Museum of Art. "Masterpieces of Fifty Centuries," November 15, 1970–February 15, 1971, no. 373.

New York. Wildenstein. "From Realism to Symbolism: Whistler and His World," March 4–April 3, 1971, no. 96.

Philadelphia Museum of Art. "From Realism to Symbolism: Whistler and His World," April 15–May 23, 1971, no. 96.

Paris. Galeries Nationales du Grand Palais. "Centenaire de l'impressionnisme," September 21–November 24, 1974, no. 19.

New York. The Metropolitan Museum of Art. "Impressionism: A Centenary Exhibition," December 12, 1974–February 10, 1975, no. 19.

Leningrad [St. Petersburg]. State Hermitage Museum. "100 Paintings from the Metropolitan Museum," May 22–July 27, 1975, no. 63.

Moscow. State Pushkin Museum. "100 Paintings from the Metropolitan Museum," August 28–November 2, 1975, no. 63.

Paris. Galeries Nationales du Grand Palais. "Manet, 1832–1883," April 22–August 1, 1983, no. 96.

New York. The Metropolitan Museum of Art. "Manet, 1832–1883," September 10–November 27, 1983, no. 96.

Copenhagen. Ordrupgaard. "Manet," September 15–November 26, 1989, no. 15.

Paris. Galeries Nationales du Grand Palais. "Impressionnisme: Les origines, 1859–1869," April 19–August 8, 1994, no. 103.

New York. The Metropolitan Museum of Art. "Origins of Impressionism," September 27, 1994–January 8, 1995, no. 103.

Paris. Musée d'Orsay. "Manet, Monet: La Gare Saint-Lazare," February 9–May 17, 1998, no. 15.

Washington. National Gallery of Art. "Manet, Monet, and the Gare Saint-Lazare," June 14–September 20, 1998, no. 15.

Kunsthalle Bremen. "Monet und "Camille": Frauenportraits im Impressionismus," October 15, 2005–February 26, 2006, no. 19.

Étienne-Joseph-Théophile Thoré. Salon de 1866. 1866 [reprinted in "Salons de W. Bürger, 1861 à 1868," Paris, 1870, vol. 2, p. 318].

Hippolyte Babou. "Les dissidents de l'exposition." La revue liberale 2 (1867), p. 288 [see Ref. Loyrette 1994].

Bertall. Le Journal amusant (May 19, 1867) [reprinted in Alan Krell, "Manet and the Painters of Contemporary Life," London, 1996, p. 78, fig. 70].

Claude Monet. Letter to Frédéric Bazille. June 25, 1867 [published in Gaston Poulain, "Bazille et ses amis," Paris, 1932, p. 94].

Randon. Le Journal amusant (June 29, 1867) [reprinted in Éric Darragon, "Manet," Paris, 1991, p. 398, fig. 316].

E. Spuller. "M. Édouard Manet et sa peinture." Le nain jaune (June 9, 1867), p. 5 [see Ref. Loyrette 1994].

Émile Zola. Éd. Manet: Étude biographique et critique, accompagnée d'un portrait d'Éd. Manet par Bracquemond, et d'une eau-forte d'Éd. Manet, d'après "Olympia". Paris, 1867, pp. 37–38.

Émile Zola. "Une nouvelle manière en peinture: Édouard Manet." Revue du XIXe siècle, 8e sér., 4 (January 1, 1867), p. 59.

Louis Auvray. Exposition des Beaux-Arts: Salon de 1868. Paris, 1868, pp. 73–74.

Marius Chaumelin. "Salon de 1868." La Presse (1868) [reprinted in Chaumelin, "L'Art contemporain," Paris, 1873, pp. 136–37].

Durand-Brager. "Le salon de 1868." Le pays (June 4, 1868) [see Ref. Rouart and Wildenstein 1975].

Henri Fouquier. "Salon de 1868." L'avenir national (May 20, 1868) [see Ref. Rouart and Wildenstein 1975].

Théophile Gautier. "Salon de 1868." Le moniteur universel (May 11, 1868) [reprinted in A. Tabarant, "Manet, histoire catalographique," Paris 1931, p. 150].

[André Gill]. Gill-revue: Le salon pour rire (1868), p. 11.

J. Grangedor. "Le Salon de 1868." Gazette des beaux-arts 24 (June 1, 1868), p. 520.

Louis Leroy. "La session de Salon de 1868." Le Charivari (June 4, 1868), p. 3 [see Ref. Loyrette 1994].

Paul Mantz. "Salon de 1868, II." L'illustration (June 6, 1868), p. 362 [translated and reprinted in George Heard Hamilton, "Manet and His Critics," New Haven, 1954, p. 121].

B. de Renjarde. "Salon de 1868. VII. L'Ecole du laid." Le Petit journal (May 28, 1868), p. 3.

T. Révillon. "Salon de 1868." La petite presse (May 9, 1868) [see Ref. Rouart and Wildenstein 1975].

T. Thoré. Salon de 1868 (1868) [reprinted in T. Thoré, "Salons de W. Bürger, 1861 à 1868," vol. 2, Paris, 1870, pp. 461, 532–33].

E. Roger de Tranoir. "Salon de 1868." Le figaro-programme (June 12, 1868) [see Ref. Rouart and Wildenstein 1975].

G. de Varennes. "Salon de 1868." La gazette de France (May 18, 1868) [see Ref. Rouart and Wildenstein 1975].

P. Véron. Le monde illustré (August 1, 1868), p. 67 [reprinted in A. Tabarant, "Manet et ses œuvres," Paris, 1947, p. 147].

Émile Zola. "Mon salon." L'evènement illustré (May 10, 1868) [reprinted in F. W. J. Hemmings and Robert J. Niess, "Émile Zola Salons," Paris, 1959, p. 124].

Édouard Manet. Memorandum of Paintings Sold to Durand-Ruel. [January–February 1872] [published and translated in Ref. Wilson-Bareau 1991, p. 163].

Edmond Bazire. Manet. Paris, 1884, p. 60.

William Sharp. "The Art Treasures of America (Concluded.)." Living Age, 7th ser., 1 (December 3, 1898), p. 606.

Arthur Hoeber. The Treasures of The Metropolitan Museum of Art of New York. New York, 1899, p. 90.

Théodore Duret. Histoire d'Édouard Manet et de son œuvre. Paris, 1902, pp. 55–56, 214, no. 88.

Hugo v. Tschudi. Édouard Manet. Berlin, 1902, p. 19.

Étienne Moreau-Nélaton. Manuscrit de l'œuvre d'Édouard Manet, peinture et pastels. [1906], unpaginated, no. 89 [Département des Estampes, Bibliothèque Nationale de France, Paris].

Frank Fowler. "The Field of Art: Modern Foreign Paintings at the Metropolitan Museum, Some Examples of the French School." Scribner's Magazine 44 (September 1908), p. 381.

Erich Hancke. "Manet als Porträtmaler." Kunst und Künstler 8 (February 1910), pp. 247–48, ill.

Emil Waldmann. "Französische Bilder in amerikanischem Privatbesitz II." Kunst und Künstler 9 (December 1910), p. 137.

Paul Durand-Ruel. Mémoires de Paul Durand-Ruel. 1911–12 [published in Lionello Venturi, "Les archives de l'impressionnisme," Paris, 1939, vol. 2, pp. 190, 206, no. 88].

Théodore Duret. Manet and the French Impressionists. 2nd ed. [1st ed. 1910]. London, 1912, pp. 58, 228, no. 88, ill. opp. p. 46.

Jean Laran and Georges Le Bas. Manet. Paris, 1912, pp. 51–52, pl. XVIII.

Julius Meier-Graefe. Édouard Manet. Munich, 1912, p. 312, pl. 91.

Katharine Metcalf Roof. The Life and Art of William Merritt Chase. New York, 1917, p. 94.

Duncan Phillips. Julian Alden Weir: An Appreciation of His Life and Works. New York, 1921, p. 21.

Emil Waldmann. Édouard Manet. Berlin, 1923, pp. 46–47, 72, ill.

Paul Jamot. "Manet as Portrait Painter." Burlington Magazine 49 (December 1926), pp. 302, 306–9, fig. A.

Étienne Moreau-Nélaton. Manet raconté par lui-même. Paris, 1926, vol. 1, pp. 86 n.1, 98–99, fig. 91; vol. 2, pp. 114, 128.

Paul Jamot. "Manet, 'Le fifre' et Victorine Meurend." Revue de l'art ancien et moderne 51 (January–May 1927), pp. 36, 39–41, ill. (overall and detail).

Charles V. Wheeler. Manet, An Essay. Washington, 1930, pp. 39–40, ill.

Charles Léger. Édouard Manet. Paris, 1931, pp. 10–11, pl. 8.

A. Tabarant. Manet, histoire catalographique. Paris, 1931, pp. 149–51, no. 111.

Paul Colin. Édouard Manet. Paris, 1932, pp. 33, 74, pl. XX.

Paul Jamot. "La poésie de Manet." L'Amour de l'art 13 (May 1932), p. 151.

Paul Jamot and Georges Wildenstein. Manet. Paris, 1932, vol. 1, pp. 37–39, 42–43, 83, 107, 133, no. 132; vol. 2, fig. 38.

"Notes biographiques." L'Amour de l'art 13 (May 1932), p. 146.

Robert Rey. Manet. English ed. [French ed. 1938]. New York, 1938, pp. 14, 75, ill.

[R. Burnand] in Chefs d'œuvre de l'art français. Exh. cat., Palais National des Arts. Tours, 1939, vol. 1, p. 446, no. 171, ill.

Ernst Scheyer. "Far Eastern Art and French Impressionism." The Art Quarterly 6 (Spring 1943), p. 125.

Louis Piérard. Manet l'incompris. Paris, 1944, p. 73.

Ima N. Ebin. "Manet and Zola." Gazette des beaux-arts 27 (June 1945), pp. 361–63, fig. 3.

Hans Huth. "Impressionism Comes to America." Gazette des beaux-arts, 6th ser., 29 (April 1946), p. 233.

Michel Florisoone. Manet. Monaco, 1947, pp. xxi, 38, ill.

A. Tabarant. Manet et ses œuvres. 4th ed. (1st. ed. 1942). Paris, 1947, pp. 119, 124, 146–47, 149–50, 195, 323, 492, 516, 536, no. 115, fig. 115.

George Heard Hamilton. Manet and His Critics. New Haven, 1954, pp. 101, 114–16, 118–20, 124, 130, 209, 276, 279, pl. 18.

Nils Gösta Sandblad. Manet: Three Studies in Artistic Conception. Lund, 1954, pp. 83, 104, 150.

J.-L. Vaudoyer. E. Manet. Paris, [1955], unpaginated, no. 22, ill. (overall and detail).

A. Hyatt Mayor. "The Gifts that Made the Museum." Metropolitan Museum of Art Bulletin 16 (November 1957), p. 100.

Henri Perruchot. La vie de Manet. Paris, 1959, pp. 193–94.

François Daulte. "Le marchand des impressionnistes." L'Oeil no. 66 (June 1960), p. 58.

Jean Sutherland Boggs. Portraits by Degas. Berkeley, 1962, p. 33, fig. 47.

Pierre Courthion. Édouard Manet. New York, 1962, pp. 88–89, ill. (color).

A. Tabarant. La Vie artistique au temps de Baudelaire. 2nd ed. (1st ed. 1942). [Paris], 1963, p. 376.

George Heard Hamilton. "Is Manet Still 'Modern'?" Art News Annual 31 (1966), pp. 160.

Joel Isaacson. "The Early Paintings of Claude Monet." PhD diss., University of California, Berkeley, 1967, pp. 190–91, 311 n. 11, p. 313 n. 22, p. 319 n. 27.

Sandra Orienti in The Complete Paintings of Manet. New York, 1967, p. 96, no. 103, ill.

Charles Sterling and Margaretta M. Salinger. "XIX–XX Centuries." French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. 3, New York, 1967, pp. 40–43, ill.

Merete Bodelsen. "Early Impressionist Sales 1874–94 in the Light of some Unpublished 'procès verbaux'." Burlington Magazine 110 (June 1968), pp. 339–40.

Margaretta M. Salinger. "Windows Open to Nature." Metropolitan Museum of Art Bulletin 27 (Summer 1968), unpaginated, ill.

Michael Fried. "Manet's Sources." Artforum 7 (March 1969), p. 57.

Joel Isaacson. Manet and Spain, Prints and Drawings. Exh. cat., The Museum of Art, The University of Michigan. Ann Arbor, Mich., 1969, p. 11.

William S. Talbot. "Henri Fantin-Latour: Madame Henri Lerolle." Bulletin of the Cleveland Museum of Art 56 (November 1969), p. 313, fig. 4.

Sharon Flescher in From Realism to Symbolism: Whistler and His World. Exh. cat., Wildenstein & Co., Inc. New York, 1971, p. 98, no. 96, pl. 16.

John L. Connolly Jr. "Ingres and the Erotic Intellect." Art News Annual, Woman as Sex Object, Studies in Erotic Art, 1730–1970, 38 (1972), pp. 25–27, ill.

Joel Isaacson. Monet: Le déjeuner sur l'herbe. New York, 1972, pp. 84, 114 n. 96.

Letters of Roger Fry. New York, 1972, p. 24.

Mona Hadler. "Manet's 'Woman with a Parrot' of 1866." Metropolitan Museum Journal 7 (1973), pp. 115–22, fig. 1.

Carl R. Baldwin The Metropolitan Museum of Art. The Impressionist Epoch. [New York], 1974, p. 12.

Richard J. Boyle. American Impressionism. Boston, 1974, pp. 159–60.

Charles S. Moffett in Impressionism: A Centenary Exhibition. Exh. cat., The Metropolitan Museum of Art. New York, 1974, pp. 110–14, 124, 126, no. 19, ill. (color, overall and detail) [French ed., "Centenaire de l'impressionnisme," Paris, 1974].

George Mauner. Manet, Peintre-Philosophe: A Study of the Painter's Themes. University Park, Pa., 1975, pp. 136–37, 140, fig. 81.

Denis Rouart and Daniel Wildenstein. Édouard Manet, catalogue raisonné. Paris, 1975, vol. 1, pp. 5, 15, 17, 20, 112–13, no. 115, ill.

Anne Coffin Hanson. Manet and the Modern Tradition. New Haven, 1977, pp. 75–76.

Sharon Flescher Columbia University. Zacharie Astruc: Critic, Artist and Japoniste. New York, 1978, p. 189.

Bertrand Marret in Phaidon Encyclopedia of Impressionism. Oxford, 1978, p. 231, ill.

Theodore Reff. "Courbet and Manet." Arts Magazine 54 (March 1980), pp. 101, 103, fig. 14.

Anne Distel. "Albert Hecht, collectionneur (1842–1889)." Bulletin de la Société de l'Histoire de l'Art Français (1981), pp. 271, 273 n. 21.

Frances Weitzenhoffer. "First Manet Paintings to Enter an American Museum." Gazette des beaux-arts, 6th ser., 97 (March 1981), pp. 125, 127–28.

Novelene Ross. Manet's 'Bar at the Folies-Bergère' and the Myths of Popular Illustration. Ann Arbor, Mich., 1982, p. 49, pl. 29.

Françoise Cachin in Manet, 1832–1883. Exh. cat., The Metropolitan Museum of Art. New York, 1983, pp. 58, 318 [French ed., Paris, 1983].

Pierre Daix. La vie de peintre d'Édouard Manet. Paris, 1983, pp. 151, 156, 176, fig. 23.

Charles S. Moffett in Manet, 1832–1883. Exh. cat., The Metropolitan Museum of Art. New York, 1983, pp. 58, 109, 201, 254–58, no. 96, ill. (color, overall and detail) [French ed., Paris, 1983, pp. 109, 201, 254–58, no. 96, ill. (color, overall and detail)].

Charles F. Stuckey. Manet. Mount Vernon, N.Y., 1983, p. 11, colorpl. 8.

Peter Hecht. "Manet et les Hollandais, ou la tradition du 'contemporain'." Septentrion 13 (April 1984), pp. 47–48.

John Pope-Hennessy. "Roger Fry and The Metropolitan Museum of Art." Oxford, China, and Italy: Writings in Honour of Sir Harold Acton on his Eightieth Birthday. London, 1984, pp. 231, 235–36.

Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 36–37, ill. (color, overall and detail).

Kathleen Adler. Manet. Oxford, 1986, pp. 87–88, 92, 101, 230 nn. 12 and 13, colorpl. 76.

Maureen C. O'Brien in Maureen C. O'Brien. In Support of Liberty: European Paintings at the 1883 Pedestal Fund Art Loan Exhibition. Exh. cat., Parrish Art Museum. Southampton, N.Y., 1986, pp. 25, 35, 37–38, 96, 146, 154, 160–61, fig. 28, colorpl. XVIII.

Ronald G. Pisano in Maureen C. O'Brien. In Support of Liberty: European Paintings at the 1883 Pedestal Fund Art Loan Exhibition. Exh. cat., Parrish Art Museum. Southampton, N.Y., 1986, pp. 63, 69.

Frances Weitzenhoffer. The Havemeyers: Impressionism Comes to America. New York, 1986, p. 35, pl. 7.

Sjraar van Heutgen et al. in Franse meesters uit het Metropolitan Museum of Art: Realisten en Impressionisten. Exh. cat., Rijksmuseum Vincent van Gogh, Amsterdam. Zwolle, The Netherlands, 1987, pp. 11, 13, fig. 1.

Gary Tinterow et al. Capolavori impressionisti dei musei americani. Exh. cat., Museo di Capodimonte, Naples. Milan, 1987, p. 54.

Gary Tinterow et al. "Modern Europe." The Metropolitan Museum of Art. 8, New York, 1987, pp. 6, 14–15, colorpls. 3 (overall and detail).

Larry L. Ligo. "Baudelaire's Mistress Reclining and Young Woman Reclining in Spanish Costume: Manet's Pendant Portraits of his Acknowledged 'Mistresses,' Baudelairian Aesthetics and Photography." Arts Magazine 62 (January 1988), 77–78, 84 nn. 14–15, fig. 4.

Horst Keller. Edouard Manet. Munich, 1989, pp. 34, 39, 81, 173, colorpl. 59.

Mikael Wivel, Juliet Wilson-Bareau, and Hanne Finsen. Manet. Exh. cat., Ordrupgaard. Copenhagen, 1989, pp. 35, 50, 66, 90–93, 95, 98, 140, no. 15, ill. (color).

Martine Bacherich. Je regarde Manet. Paris, 1990, pp. 103, 130.

Françoise Cachin. Manet. [Paris], 1990, pp. 66–67, 158, colorpl. 3.

Anne Distel. Impressionism: The First Collectors. New York, 1990, pp. 104, 240–42, colorpl. 210.

Éric Darragon. Manet. Paris, 1991, pp. 178, 180, 183–84, 212, 275, 280, 381, 398, fig. 106 (color).

Margaret Fitzgerald Farr. "Impressionist Portraiture: A Study in Context and Meaning." PhD diss., University of North Carolina at Chapel Hill, 1992, pp. 167–70, p. 175 n. 31, pl. 28.

John House. "Degas' 'Tableaux de Genre'." Dealing with Degas: Representations of Women and the Politics of Vision. London, 1992, p. 89.

Eunice Lipton. Alias Olympia: A Woman's Search for Manet's Notorious Model & Her Own Desire. New York, 1992, pp. 50, 90, 132.

Brigitte Le Juez. "'La femme au perroquet': Un portrait de la femme au XIXe siècle." French Studies Bulletin 47 (Summer 1993), pp. 10–12.

Vivien Perutz. Édouard Manet. Lewisburg, Pa., 1993, pp. 89–90, colorpl. 15.

H. Barbara Weinberg in Splendid Legacy: The Havemeyer Collection. Exh. cat., The Metropolitan Museum of Art. New York, 1993, p. 76.

Henri Loyrette in Origins of Impressionism. Exh. cat., The Metropolitan Museum of Art. New York, 1994, pp. 197, 201, 207, 212, 362, 373, 408–10, no. 103, ill. (colorpl. 243 and black and white) [French ed., Paris, 1994, pp. 197, 200, 207, 210, 360, 372, 405–7, ill. (colorpl. 243 and black and white)].

Gary Tinterow and Henri Loyrette. Origins of Impressionism. Exh. cat., The Metropolitan Museum of Art. New York, 1994, pp. xiii, 296, 318 [French ed., "Impressionnisme: Les origines, 1859–1869," Paris, 1994, pp. XIII, 296, 319].

Marie Simon. Fashion in Art: The Second Empire and Impressionism. London, 1995, pp. 202, 205, ill. p. 204 (color).

Beth Archer Brombert. Édouard Manet: Rebel in a Frock Coat. Boston, 1996, pp. 119, 207–8, 306, 443, 471 n. 19, fig. 19.

Michael Fried. Manet's Modernism: or, The Face of Painting in the 1860s. Chicago, 1996, pp. 2, 103, 279, 303–4, 334, fig. 56.

Alan Krell. Manet and the Painters of Contemporary Life. London, 1996, pp. 34, 49, 77–82, 174, figs. 71–72, colorpl. 71.

Colin B. Bailey in Colin B. Bailey. Renoir's Portraits: Impressions of an Age. Exh. cat., National Gallery of Canada, Ottawa. New Haven, 1997, p. 114.

Carol Armstrong. "To Paint, to Point, to Pose: Manet's 'Le déjeuner sur l'herbe'." Manet's "Le déjeuner sur l'herbe". Cambridge, 1998, pp. 98–99, 101–2, fig. 29.

Juliet Wilson-Bareau. Manet, Monet, and the Gare Saint-Lazare. Exh. cat., National Gallery of Art. New Haven, 1998, pp. 1, 20–23, 25, 194, no. 15, colorpls. 13 and 14 (overall and detail) [French ed., "Manet, Monet: La Gare Saint-Lazare", 1998, pp. 20–23, 195, no. 15, colorpls. 13 and 14 (overall and detail)].

Important Paintings and Sculpture formerly in the Auguste Pellerin Collection. Christie's, New York. November 8, 1999, p. 50.

Katharina Schmidt in Manet, Zola, Cézanne: Das Porträt des modernen Literaten. Ostfildern-Ruit, Germany, 1999, pp. 30, 33, 45 n. 45, fig. 12.

George Mauner and Henri Loyrette. Manet: The Still-Life Paintings. Exh. cat., Musée d'Orsay. New York, 2000, pp. 13, 17–19, 22, 60, 154, fig. 10 (color) [French ed., "Manet: Les natures mortes," Paris, 2000, pp. 33–34, fig. 9 (color)].

Rebecca A. Rabinow. "Modern Art Comes to the Metropolitan: The 1921 Exhibition of 'Impressionist and Post-Impressionist Paintings'." Apollo 152 (October 2000), pp. 4, 9 n. 13.

William H. Gerdts. American Impressionism. 2nd ed. New York, 2001, p. 105.

Nancy Locke. Manet and the Family Romance. Princeton, 2001, pp. 99–100, 157–58, 162, fig. 45.

Carol Armstrong. Manet Manette. New Haven, 2002, pp. 11, 15–16, 20, 28, 40–42, 49, 143–44, 159–60, 164–72, 179, 193, 324 n. 24, p. 355 n. 27, p. 356 nn. 40–41, p. 357 n. 48, ill. (overall: colorpl. pl. 68 and fig. 15; details [color]).

Manuela B. Mena Marqués in Manet en el Prado. Exh. cat., Museo Nacional del Prado. Madrid, 2003, pp. 186, 276, 338, 472, 490, fig. 92.

Gudrun Mühle-Maurer in Manet en el Prado. Exh. cat., Museo Nacional del Prado. Madrid, 2003, pp. 354, 496.

Arden Reed. Manet, Flaubert, and the Emergence of Modernism: Blurring Genre Boundaries. Cambridge, 2003, pp. 1–347, ill. (details), and colorpl. IX.

Juliet Wilson-Bareau in Manet en el Prado. Exh. cat., Museo Nacional del Prado. Madrid, 2003, pp. 50, 385.

Juliet Wilson-Bareau in Gary Tinterow and Geneviève Lacambre. Manet/Velázquez: The French Taste for Spanish Painting. Exh. cat., Musée d'Orsay, Paris. New York, 2003, pp. 220, 222, 288, fig. 9.33 (color).

Madeleine Korn. "Exhibitions of Modern French Art and Their Influence on Collectors in Britain 1870–1918: The Davies Sisters in Context." Journal of the History of Collections 16, no. 2 (2004), pp. 195, 208, fig. 4.

Uwe Fleckner in Monet und "Camille": Frauenportraits im Impressionismus. Exh. cat., Kunsthalle Bremen. Munich, 2005, p. 47.

Birgit Haase in Monet und "Camille": Frauenportraits im Impressionismus. Exh. cat., Kunsthalle Bremen. Munich, 2005, p. 103.

Dorothee Hansen in Monet und "Camille": Frauenportraits im Impressionismus. Exh. cat., Kunsthalle Bremen. Munich, 2005, pp. 100, 103, 190, no. 19, ill. pp. 14, 101–2, 190 (color, overall and detail).

Solfrid Söderlind in Monet und "Camille": Frauenportraits im Impressionismus. Exh. cat., Kunsthalle Bremen. Munich, 2005, p. 248.

Ross King. The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism. New York, 2006, pp. 222, 227, 243.

Kathryn Calley Galitz in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, p. 48.

Kathryn Calley Galitz in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, p. 58.

Michèle Haddad. Gustave Courbet: Peinture et histoire. Sainte-Croix, 2007, pp. 138, 141–42.

19th Century European Paintings. Sotheby's, London. June 27, 2007, p. 243, under no. 222, fig. 6 (color).

Gary Tinterow in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 6, 80, figs. 15, 16 (installation photos, color).

Gary Tinterow in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. xiv, 95, 100–101, 271–72, no. 92, ill. (color and black and white) and figs. 7, 15, 16 (installation photos, color and black and white).

Laurence des Cars in Gustave Courbet. Exh. cat., The Metropolitan Museum of Art, New York. New York, 2008, p. 66, fig. 6 (color) [French ed., Paris, 2007].

Laurence des Cars in Manet, inventeur du Moderne. Exh. cat., Musée d'Orsay. Paris, 2011, p. 45.

Paul-Louis Durand-Ruel and Flavie Durand-Ruel in Manet, inventeur du Moderne. Exh. cat., Musée d'Orsay. Paris, 2011, pp. 284–85.

Stéphane Guégan in Manet, inventeur du Moderne. Exh. cat., Musée d'Orsay. Paris, 2011, p. 37.

Simon Kelly in Manet, inventeur du Moderne. Exh. cat., Musée d'Orsay. Paris, 2011, pp. 63, 68 n. 38.