Quantcast

The Metropolitan Museum of Art LogoEmail

Type the CAPTCHA word:

In Season

Whence Willow Wattle?

Christina Alphonso, Administrator, The Cloisters

Posted: Thursday, February 19, 2015

An attractive feature of the Bonnefont Herb Garden in winter and early spring is the distinctive wattle used in the raised beds. Medieval gardens, orchards, and property boundaries were enclosed in a variety of ways, including by hedges and wattle fences. In the Bonnefont Herb Garden, our wattle, or hurdles (pictured above), of various heights edge the beds and support the plants. The hurdles and supports are made from willow from the Somerset Levels (wetlands) in England; willow has been grown and woven in Somerset since the late Iron Age. Willow work is still commercially produced in the region and the same family has made our wattle elements for many years.

Read More

In Season

Snowy Days at The Cloisters

Andrew Winslow, Senior Departmental Technician, The Cloisters museum and gardens

Posted: Friday, February 13, 2015

After trudging to work through Fort Tryon Park in the morning after a heavy snowfall, the first thing I do is grab my camera and head straight to some of my favorite spots in The Cloisters museum and gardens. First, up to the top of the tower to look out over the park, the river, and the George Washington Bridge.

Read More

In Season

A Tale of Two Collections: The Cloisters and Glencairn Museums

Julia Perratore, Mellon Curatorial Fellow, Department of Medieval Art and The Cloisters

Posted: Thursday, February 5, 2015

The Cloisters museum and gardens has many devotees, but I wonder how many of its visitors know about the Glencairn Museum, located in Bryn Athyn, just outside of Philadelphia, Pennsylvania. Glencairn, like The Cloisters, is home to an excellent collection of medieval art on view in a building inspired by medieval architecture. As a current Met fellow and former Glencairn fellow, I have had ample opportunity to study the histories of these two marvelous collections, both of which took shape during the early twentieth century. Together they constitute an important chapter in the story of collecting medieval art in the United States, and I am continually impressed by the close relationship between them.

Read More

In Season

A Winter Walk through Fort Tryon Park

Jonathan Landsman, Landscape Coordinator, New York City Department of Parks and Recreation

Posted: Friday, January 30, 2015

"How do you get to The Cloisters?" For me and the two full-time gardeners charged with the care of Fort Tryon Park's sixty-seven acres of forest and two historic gardens, this is the question we are asked the most. Our answer changes from season to season: the paths don't move, but the flowers do, and we always guide visitors through the most beautiful experience the season offers.

Read More

In Season

Dyeing for Color

Carly Still, Assistant Horticulturist, The Cloisters Museum and Gardens

Posted: Thursday, January 22, 2015

In the midst of ice and wind, I retreat to the warmth of the indoors at The Cloisters museum and gardens. I long for growth, and daydream about the upcoming spring. And I write about color now to invigorate myself against a possible winter slump.

Read More

In Season

New Glasses for the Table

Tim Husband, Curator, Department of Medieval Art and The Cloisters

Posted: Friday, January 16, 2015

The Cloisters museum and gardens came relatively late to the collection of late medieval glass vessels. The reasons are twofold: first, because very few of these objects have survived—they were everyday household objects, and fragile ones at that—and second, because collectors and scholars were slow to appreciate the elegant simplicity and skillful fabrication of these modest, utilitarian objects. The first glass vessel entered The Cloisters Collection in 1977 and, like all those to follow, was a product of the German-speaking world of central Europe, a vast region that supported an extensive glass-making industry. The three recent acquisitions discussed here significantly enhance the collection's holdings of these appealing tablewares.

Read More

In Season

Cryptogams in the Nooks and Crannies

Caleb Leech, Managing Horticulturist, The Cloisters Museum and Gardens

Posted: Friday, January 9, 2015

The details that artists choose to embellish in their works offer a small glimpse into what they value. Such is the case with the Gerard David (ca. 1455–1523) painting The Nativity with Donors and Saints Jerome and Leonard, shown above. I examined this Nativity scene in the course of my research on the important plant stuffs associated with the medieval Christmastide feast. In this case, the sheaf of wheat as a symbol of the Eucharist was the object of my attention, but what piqued my curiosity was the variety of flora illustrated in the cracks of the walls.

Read More

In Season

Scenes of the Season

Christina Alphonso, Administrator, The Cloisters

Posted: Friday, January 2, 2015

The Belles Heures of Jean de France, duc de Berry, is an extraordinary illuminated manuscript and one of the great treasures of The Cloisters Collection. It is also relevant to the holiday season, as a few of its astonishingly beautiful illuminations depict scenes from the Christmas story.

Read More

In Season

Among the Leaves So Green

Christina Alphonso, Administrator, The Cloisters

Posted: Tuesday, December 23, 2014

The Cloisters museum and gardens will be decorated for the holidays through January 6. Today's post is intended to provide historical context for the designs, explain how the decorations are made, and to entice readers to visit and see them in person.

Read More

In Season

A Cloisters Cartoon

Mortimer Lebigre, Graphic Designer, Design Department

Posted: Thursday, December 11, 2014

Results per page
Follow This Blog: Subscribe

About this Blog

In Season features all the latest news about The Cloisters museum and gardens, the branch of the Museum in northern Manhattan devoted to the art and architecture of medieval Europe.